In 2023, Hebei Province suffered devastating floods, with Zanhuang County among the hardest-hit areas. The site of the Yan Art Museum, situated in a mountainous area, lies at the confluence of two flood diversion channels. The original buildings on the site were battered by the floodwaters and rendered structurally unsafe.
The site is part of the Zhanshiyan Scenic Area, which is renowned for one of China’s three major cliff-and-rock landforms. The area regularly attracts large numbers of art teachers and students for plein-air painting. To support tourism and stimulate the local economy, the project leverages the post-disaster recovery effort to build an art museum—creating a venue for artistic exchange and exhibitions.
The site is an irregular, elongated triangular plot with significant variations in elevation. The design fully respects the natural terrain, using the jagged rock formations characteristic of the Taihang Mountains as the building’s base. A structural system of concrete walls—articulated in curved, straight, and folded forms—supports the building while serving as exhibition backdrops.
Above, the roof features an eco-friendly prefabricated timber-eave system that evokes layered mountain ridges. Precisely engineered timber components interlock with one another, forming a spatial sequence that feels both contemporary and rooted in tradition. Together, these elements create an architectural composition that harmonizes with the natural environment. The roof is clad with locally sourced stone slates from the Taihang Mountains. When viewed from the surrounding landscape, the cascading eaves resonate with the rhythms of the Zhanshiyan terrain.
The overall architectural concept embraces a philosophy of “natural growth.” Through refined design strategies, the building appears to emerge organically from the rocky Taihang Mountains, becoming an integral part of its environment.