Shape Tomorrow stems from HWKN’s past explorations and their response to the Covid-19 pandemic. “We knew we had to turn this crisis into an opportunity”, argues Hollwich. “Having seen how mutable society is, we recognized this as a rare moment for architecture, one where we could develop buildings that adapt to people’s needs, desires, societal demands and technological functions.”
The exhibition at Aedes highlights HWKN’s design approach, exploring interaction between people and buildings. Nine five-metre-high towers installed in the exhibition space symbolise the diverse formal as well as programmatic approaches of their projects, such as the realised office building 25 Kent in New York as well as Die Macherei in Munich and Spirit Bochum, two commercial quarters currently under construction. The towers’ placement is designed to encourage visitors not simply to look, but to explore, react and respond in a playful manner.
Each building has a name, giving it identity, turning it into ‘someone’ you want to meet. This can be seen in Blake, the extroverted building with an open market surrounding its base, or the nurturing tower Skyler, that brings together multiple generations in one place. Visitors of the exhibition are invited to choose a character from a selection of toy figures and imagine this character to live, work or play in the building they choose.