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BRICK HOUSE
BRICK HOUSE
India
Project Featured on Sep 14, 2023
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Other Projects by The Purple Ink Studio
BRICK HOUSE
India
Project Featured on Sep 14, 2023
Type
STATUS
Built
YEAR
2022
SIZE
10,000 sqft - 25,000 sqft
The Brick House is located in the coastal town of Mangalore, in the south Karnataka region. A melting pot of many cultures coming together, the city is well-known for its inimitable landscape and dotted heritage lingering in the old parts of the town. The site is located in a dense urban sprawl which has lost its character over the period of time.
Having moved to Saudi, the client’s aspiration was to have a family/holiday home close to his ancestral roots. The design brief for the house had stories from his formative years walking past the old brick factories with chimneys poking above the coconut trees. And those of red-oxide flooring and lime plaster-finished walls which keep the house refreshingly cool. To put it together, this family house should evoke memories of the past while keeping the design unique and aesthetically modern.
Mangalore features a tropical climate with heavy to moderate rainfall most of the year and hot summer days. Passive design strategies and planning principles were involved to ensure uninterrupted cross-ventilation. A corner plot nestled between neighbouring buildings, the only view was of the existing trees from the neighbour’s plot.
After leaving the necessary setbacks the house was designed in several layers. With the bottom two levels planned as Semi-Private, the upper levels become Private and independent. These layers are then further intersected by courts planned at various levels. The sloped topography of the abutting road helped one enter the house at two different levels. The Lower ground had parking along with an Entertainment den aka “Majalis”, whereas the upper level became the main entry with the formal living & dining areas. The entry opens under a triple-height skylight ascending from the land and opening into the sky.
Deriving some of its qualities from a “Thotti Mane” (Courtyard House) the varied courts are intercepted in multiple levels and volumes. With an inward-looking plan, the courts responded to the qualities of the sky, the light filtering through the brick screens or even allowing a soft breeze to pass through. Staggering of courts also allowed all the user to either enjoy an extended court outside the private areas or open into it. The subtly sun-lit staircase connecting all the levels is sculptural and experiential with each elevation.
The building skin is constructed in several layers akin to the composition of earth keeping the inner layers cool and insulted. All the rooms have triple-layered walls, laterite masonry is sandwiched between brick jail from the outside and think brick sections from the inside. These layers provide necessary insulation from the extreme summer and control seepages from the rain. The courts and decks open out to Brick Jaalis which filters in the light and create a visual boundary. All the windows open into a deck or a Jaali as one observes fragmented moments of the outsides. The façade is laid with bricks arranged in a pattern creating an expression of its own while helping reduce the building scale. The characteristics of traditional tiled sloping roofs were interpreted in these brick arrangements which made it look like the building is in motion as one walked by.
The design philosophies are carried ahead in the interiors by using natural materials. Black Limestone & Grey Tandur formed the canvas for the plaster-finished walls. The experience of movement and celebration of craftsmanship was explored with multiple plaster finishes done in situ with the site contractors. The client was a constant part of the design process and was passionately involved in its interpretation on-site. He took the idea ahead by allowing us to use no paint in the interiors elevating the timelessness of the spaces. The softness in the spaces was added by drapes which were mostly cotton and jute. The artwork for the house was conceptualised and commissioned by the project architect who being part of the design team, continued the philosophies into it.
The material vocabulary infused with the design ideologies became emblematic of the past and tied together to age gracefully into the future.
Having moved to Saudi, the client’s aspiration was to have a family/holiday home close to his ancestral roots. The design brief for the house had stories from his formative years walking past the old brick factories with chimneys poking above the coconut trees. And those of red-oxide flooring and lime plaster-finished walls which keep the house refreshingly cool. To put it together, this family house should evoke memories of the past while keeping the design unique and aesthetically modern.
Mangalore features a tropical climate with heavy to moderate rainfall most of the year and hot summer days. Passive design strategies and planning principles were involved to ensure uninterrupted cross-ventilation. A corner plot nestled between neighbouring buildings, the only view was of the existing trees from the neighbour’s plot.
After leaving the necessary setbacks the house was designed in several layers. With the bottom two levels planned as Semi-Private, the upper levels become Private and independent. These layers are then further intersected by courts planned at various levels. The sloped topography of the abutting road helped one enter the house at two different levels. The Lower ground had parking along with an Entertainment den aka “Majalis”, whereas the upper level became the main entry with the formal living & dining areas. The entry opens under a triple-height skylight ascending from the land and opening into the sky.
Deriving some of its qualities from a “Thotti Mane” (Courtyard House) the varied courts are intercepted in multiple levels and volumes. With an inward-looking plan, the courts responded to the qualities of the sky, the light filtering through the brick screens or even allowing a soft breeze to pass through. Staggering of courts also allowed all the user to either enjoy an extended court outside the private areas or open into it. The subtly sun-lit staircase connecting all the levels is sculptural and experiential with each elevation.
The building skin is constructed in several layers akin to the composition of earth keeping the inner layers cool and insulted. All the rooms have triple-layered walls, laterite masonry is sandwiched between brick jail from the outside and think brick sections from the inside. These layers provide necessary insulation from the extreme summer and control seepages from the rain. The courts and decks open out to Brick Jaalis which filters in the light and create a visual boundary. All the windows open into a deck or a Jaali as one observes fragmented moments of the outsides. The façade is laid with bricks arranged in a pattern creating an expression of its own while helping reduce the building scale. The characteristics of traditional tiled sloping roofs were interpreted in these brick arrangements which made it look like the building is in motion as one walked by.
The design philosophies are carried ahead in the interiors by using natural materials. Black Limestone & Grey Tandur formed the canvas for the plaster-finished walls. The experience of movement and celebration of craftsmanship was explored with multiple plaster finishes done in situ with the site contractors. The client was a constant part of the design process and was passionately involved in its interpretation on-site. He took the idea ahead by allowing us to use no paint in the interiors elevating the timelessness of the spaces. The softness in the spaces was added by drapes which were mostly cotton and jute. The artwork for the house was conceptualised and commissioned by the project architect who being part of the design team, continued the philosophies into it.
The material vocabulary infused with the design ideologies became emblematic of the past and tied together to age gracefully into the future.
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