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Potter Museum of Art
Potter Museum of Art
Melbourne, Australia
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Other Projects by Wood Marsh
Potter Museum of Art
Melbourne, Australia
Firm
STATUS
Built
YEAR
2025
SIZE
0 sqft - 1000 sqft
BUDGET
Undisclosed
The Potter Museum of Art, Education and Programs Centre is a significant expansion of the Museum at the University of Melbourne’s Parkville Campus into the heritage-listed 1930’s Physics Annex. Connecting with both the campus and a major road leading out of the city centre, the concave, mirrored polished stainless-steel portal extends from the original façade, marking the museum’s presence and creating a multi-faceted public interface.
Spanning four levels, including a basement, the project connects seamlessly with the existing award-winning gallery and enhances gallery, teaching, and hospitality spaces.
Reorienting the Museum’s main entry to Masson Road, a mirrored portal forms a contemporary counterpoint to its historic context, strengthening the Museum’s civic and cultural presence on campus. This sculptural element is offset from the existing building façade, and leads to a new vaulted, double-height foyer. A monochromatic black timber wall directs visitors along an axis, connecting to the existing galleries through a spacious, carefully resolved sequence.
Delivered in close collaboration with the University and the Museum, the project reflects a unified vision that balances heritage conservation with contemporary function.
Heritage architects Lovell Chen led the careful restoration of original external features, guided by detailed surveys to ensure historical accuracy was maintained. Contemporary systems - including 'AA' rated environmental controls - were carefully integrated to support artwork conservation. A high level of airtightness was achieved in order to ensure highly controllable temperature and humidity, suitable for the storage and exhibition of artwork.
The complexity of the project included cohesively integrating the existing Potter Museum of Art (1998), with the former Bacteriology building (1900’s) and the Physics Annex (1930’s). A key intervention involved resolving the different floor levels of the Museum and Physics Annex, addressed through thoughtful, DDA-compliant design. This was a significant structural challenge, and its co-ordination was successfully undertaken through ongoing collaboration during design and construction with Meindhart structural engineer, to sensitively resolve with the idiosyncrasies of the three existing buildings.
The first exhibition in the re-opened gallery, titled ‘65,000 Years: A Short History of Australian Art’, exhibited over 400 works of Aboriginal and Torres Strait Islander art. The new, dedicated hybrid teaching and learning spaces accommodated and supported access to the exhibition as an educational resource for primary, secondary and university students, along with the wider public. The enhanced, hybrid teaching and display spaces make the Museum’s collection-based learning programs possible.
On the opening weekend, the teaching spaces hosted two-days of conversations with curators, artists, Indigenous custodians, art historians, and anthropologists to discuss the stories, practices, and themes of the exhibition. This social program is complimented by the integration of space for a café and restaurant (Residence at the Potter), encouraging activity, access to art and a deeper connection with the wider community.
The result is inclusive and future-focused, supporting a dynamic program of education, engagement, and cultural exchange on campus.
Spanning four levels, including a basement, the project connects seamlessly with the existing award-winning gallery and enhances gallery, teaching, and hospitality spaces.
Reorienting the Museum’s main entry to Masson Road, a mirrored portal forms a contemporary counterpoint to its historic context, strengthening the Museum’s civic and cultural presence on campus. This sculptural element is offset from the existing building façade, and leads to a new vaulted, double-height foyer. A monochromatic black timber wall directs visitors along an axis, connecting to the existing galleries through a spacious, carefully resolved sequence.
Delivered in close collaboration with the University and the Museum, the project reflects a unified vision that balances heritage conservation with contemporary function.
Heritage architects Lovell Chen led the careful restoration of original external features, guided by detailed surveys to ensure historical accuracy was maintained. Contemporary systems - including 'AA' rated environmental controls - were carefully integrated to support artwork conservation. A high level of airtightness was achieved in order to ensure highly controllable temperature and humidity, suitable for the storage and exhibition of artwork.
The complexity of the project included cohesively integrating the existing Potter Museum of Art (1998), with the former Bacteriology building (1900’s) and the Physics Annex (1930’s). A key intervention involved resolving the different floor levels of the Museum and Physics Annex, addressed through thoughtful, DDA-compliant design. This was a significant structural challenge, and its co-ordination was successfully undertaken through ongoing collaboration during design and construction with Meindhart structural engineer, to sensitively resolve with the idiosyncrasies of the three existing buildings.
The first exhibition in the re-opened gallery, titled ‘65,000 Years: A Short History of Australian Art’, exhibited over 400 works of Aboriginal and Torres Strait Islander art. The new, dedicated hybrid teaching and learning spaces accommodated and supported access to the exhibition as an educational resource for primary, secondary and university students, along with the wider public. The enhanced, hybrid teaching and display spaces make the Museum’s collection-based learning programs possible.
On the opening weekend, the teaching spaces hosted two-days of conversations with curators, artists, Indigenous custodians, art historians, and anthropologists to discuss the stories, practices, and themes of the exhibition. This social program is complimented by the integration of space for a café and restaurant (Residence at the Potter), encouraging activity, access to art and a deeper connection with the wider community.
The result is inclusive and future-focused, supporting a dynamic program of education, engagement, and cultural exchange on campus.
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