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NEO Bankside
NEO Bankside
Holland Street, London, United Kingdom
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Other Projects by Rogers Stirk Harbour + Partners
NEO Bankside
Holland Street, London, United Kingdom
Type
STATUS
Built
YEAR
2012
BUDGET
$100M +
NEO Bankside comprises 217 residential units in four hexagonal pavilions ranging from 12 to 24 storeys and a six-storey office block, located next to the Tate Modern, one of the most visited museums in the world.
The overall design hints at the former industrial heritage
of the area during the 19th and 20th centuries, responding in a contemporary language which reinterprets the colouration and materials of the local architectural character. The steel and glass pavilions fit perfectly into the Bankside landscape; oxide reds of the Winter Gardens echo those of Tate Modern and nearby Blackfriars Bridge, while the exterior’s timber-clad panels and
window louvres give the building a warm, residential feeling. The pavilions’ distinctive external bracing system has removed the need for internal structural walls and created highly flexible spaces inside the apartments. The bracing is located outside of the cladding plane allowing it to be expressed as the distinct and legible system which gives the scheme much of its charismatic language. Glazed lift towers provide all occupants great
views of London and the river, and a dynamic expression of the vertical circulation on the eastern side of each building. Winter gardens are enclosed, single-glazed balconies at the north and south ends of each building, suspended from the main structure on a lightweight deck with large sliding screens. They act both as enclosed terraces and additions to the interior living space.
A generous public realm is also created at ground level
with landscaped groves defining two clear public routes through the site connecting the riverside gardens outside Tate Modern through to Southwark Street. The permeability through the site was a key driver of the design and the imaginative arrangement of the pavilions provides residents with generous accommodation and maximum daylight. Landscape designers Gillespies has created a series of richly-detailed garden spaces around the footprint of the apartment pavilions. The final landscape
features soft planting inspired by native woodlands, balancing beautifully with the contemporary lines of the buildings. Unusually in the heart of a city, the outdoor spaces offer NEO Bankside’s residents opportunities to engage with nature, and create a new micro-ecological environment in this established urban setting. The elegant and peaceful landscaped gardens integrate NEO Bankside with the neighbouring Tate Modern and its surroundings, and provide public access during the day as well as a secure, private environment for residents to enjoy.
Gillespies’ landscape design was developed to provide optimum private residents’ gardens, while separating them distinctly from the public routes. An innovative landscape strategy was
introduced from the outset to define the threshold between private and publically-accessible spaces. This definition has been achieved through the use of richly-planted berms, pebble-lined moats, stone-lined cuttings and narrow walkways that combine to create a strong sense of identity for the site.
The long planted berms are a recurring signature that channel North/ South movement and act as a threshold between private and public space, dissected by a network of residents’ pathways. The berms also complement Tate Modern’s landscape, binding this site into its wider context.
The overall design hints at the former industrial heritage
of the area during the 19th and 20th centuries, responding in a contemporary language which reinterprets the colouration and materials of the local architectural character. The steel and glass pavilions fit perfectly into the Bankside landscape; oxide reds of the Winter Gardens echo those of Tate Modern and nearby Blackfriars Bridge, while the exterior’s timber-clad panels and
window louvres give the building a warm, residential feeling. The pavilions’ distinctive external bracing system has removed the need for internal structural walls and created highly flexible spaces inside the apartments. The bracing is located outside of the cladding plane allowing it to be expressed as the distinct and legible system which gives the scheme much of its charismatic language. Glazed lift towers provide all occupants great
views of London and the river, and a dynamic expression of the vertical circulation on the eastern side of each building. Winter gardens are enclosed, single-glazed balconies at the north and south ends of each building, suspended from the main structure on a lightweight deck with large sliding screens. They act both as enclosed terraces and additions to the interior living space.
A generous public realm is also created at ground level
with landscaped groves defining two clear public routes through the site connecting the riverside gardens outside Tate Modern through to Southwark Street. The permeability through the site was a key driver of the design and the imaginative arrangement of the pavilions provides residents with generous accommodation and maximum daylight. Landscape designers Gillespies has created a series of richly-detailed garden spaces around the footprint of the apartment pavilions. The final landscape
features soft planting inspired by native woodlands, balancing beautifully with the contemporary lines of the buildings. Unusually in the heart of a city, the outdoor spaces offer NEO Bankside’s residents opportunities to engage with nature, and create a new micro-ecological environment in this established urban setting. The elegant and peaceful landscaped gardens integrate NEO Bankside with the neighbouring Tate Modern and its surroundings, and provide public access during the day as well as a secure, private environment for residents to enjoy.
Gillespies’ landscape design was developed to provide optimum private residents’ gardens, while separating them distinctly from the public routes. An innovative landscape strategy was
introduced from the outset to define the threshold between private and publically-accessible spaces. This definition has been achieved through the use of richly-planted berms, pebble-lined moats, stone-lined cuttings and narrow walkways that combine to create a strong sense of identity for the site.
The long planted berms are a recurring signature that channel North/ South movement and act as a threshold between private and public space, dissected by a network of residents’ pathways. The berms also complement Tate Modern’s landscape, binding this site into its wider context.
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