Add To Collection
Add to Collection
Lingyin Cultural and Creative Pavilion by Ondo Studio
Lingyin Cultural and Creative Pavilion by Ondo Studio
Xihu, Hangzhou, China
View Original
Add To Collection
Add to Collection
View Original
Add To Collection
Add to Collection
View Original
Add To Collection
Add to Collection
View Original
Add To Collection
Add to Collection
View Original
Add To Collection
Add to Collection
View Original
Add To Collection
Add to Collection
View Original
Add To Collection
Add to Collection
View Original
Add To Collection
Add to Collection
View Original
Add To Collection
Add to Collection
View Original
Add To Collection
Add to Collection
View Original
Add To Collection
Add to Collection
View Original
Add To Collection
Add to Collection
View Original
Add To Collection
Add to Collection
View Original
Add To Collection
Add to Collection
View Original
Add To Collection
Add to Collection
View Original
Add To Collection
Add to Collection
Other Projects by Design Aesthetics
Lingyin Cultural and Creative Pavilion by Ondo Studio
Xihu, Hangzhou, China
Firm
Type
STATUS
Built
YEAR
2024
SIZE
0 sqft - 1000 sqft
Project Name: Lingyin Cultural and Creative Pavilion
Project Location: Building No. 1, Feilai Peak Scenic Area, Lingyin, Xihu District, Hangzhou, China
Project Area: 50㎡
Design Time: 2024.01
Completion Time: 2024.05
Design Company: Ondo Studio (https://ondostudio.cn/)
Lead Designers: Ruonan Cheng, Bingyu Wang
Detailed Design: Xinxin Hong
Photography: SZJ
Lingyin Cultural and Creative Pavilion
At the initial stage of design, upon seeing the original store, we were moved by the lush branches and interplay of light and shadow. We recalled that a distinctive feature of Chinese architecture is its organized order, emphasizing central axis symmetry and the spatial artistry of circular heavens and square earth. Traditional Chinese architectural space layout excels in axial symmetry. Thus, in this design, our layout follows the principle of central axis symmetry, utilizing a rectangular movement flow to perfect the spatial arrangement.
Wooden structures are the mainstream in traditional Chinese architecture, composed of main components such as columns, beams, and purlins. The joints between these components are connected with mortise and tenon, forming a flexible framework. Therefore, in our design, we utilized this concept to create a framework structure indoors, which serves the purpose of partitioning while also connecting each area. In our design, we also considered how to balance sales and storage, and from the early stages, we decided to use red as the main color theme for the store, aiming to design a cultural and creative shop that breaks conventional norms.
The variety of blind boxes and decorative items at the Lingyin Cultural and Creative Pavilion exceeded our expectations. Therefore, how to present these products completely to customers became a key focus for us. We ultimately decided to dedicate the visual center of the store to this area. The entire shopping flow revolves around a central long table, with a bridge designed to display these products.
For the indoor wall-mounted sales system, we selected perforated panels as the final display form. The drawers below incorporate traditional mortise and tenon joints, eliminating the conventional metal rails. This approach results in a more lightweight and precise overall craftsmanship.
On the left side, there is a large magnetic perforated board for displaying refrigerator magnets. The unrestricted magnetic format allows for easy rearrangement to create different displays according to the season or holiday.
The combination of perforated boards and metal grids can accommodate various product display and sales needs. The top design incorporates elements of mortise and tenon joints, using vertical panels and horizontal extensions to enhance the visual effect. Additionally, it integrates washi paper elements to simulate the texture of lanterns, creating a warm and soft atmosphere.
The left-side retail wall is designated for selling bracelets. A horizontal support is designed between two perforated boards to hang and display the bracelets. The lower area and the wall itself are used for placing and showcasing merchandise.
The store's logo is the highlight of the entrance. Since the shop is located in the Lingyin Temple Scenic Area, it is crucial to attract passing visitors. Therefore, we recommended placing the logo above the building. Additionally, the layered red panels enhance the entrance with a modern Chinese aesthetic.
In our design, we aimed to recapture the purest form of craftsmanship through attention to detail. Therefore, when designing the storage here, we eliminated conventional metal rails and opted for wooden interlocking joints for the drawers. This approach is intricate and time-consuming compared to modern industrial production methods. By reintegrating this traditional woodworking technique into a contemporary shop, we seek to honor and revive artisanal craftsmanship.
Project Location: Building No. 1, Feilai Peak Scenic Area, Lingyin, Xihu District, Hangzhou, China
Project Area: 50㎡
Design Time: 2024.01
Completion Time: 2024.05
Design Company: Ondo Studio (https://ondostudio.cn/)
Lead Designers: Ruonan Cheng, Bingyu Wang
Detailed Design: Xinxin Hong
Photography: SZJ
Lingyin Cultural and Creative Pavilion
At the initial stage of design, upon seeing the original store, we were moved by the lush branches and interplay of light and shadow. We recalled that a distinctive feature of Chinese architecture is its organized order, emphasizing central axis symmetry and the spatial artistry of circular heavens and square earth. Traditional Chinese architectural space layout excels in axial symmetry. Thus, in this design, our layout follows the principle of central axis symmetry, utilizing a rectangular movement flow to perfect the spatial arrangement.
Wooden structures are the mainstream in traditional Chinese architecture, composed of main components such as columns, beams, and purlins. The joints between these components are connected with mortise and tenon, forming a flexible framework. Therefore, in our design, we utilized this concept to create a framework structure indoors, which serves the purpose of partitioning while also connecting each area. In our design, we also considered how to balance sales and storage, and from the early stages, we decided to use red as the main color theme for the store, aiming to design a cultural and creative shop that breaks conventional norms.
The variety of blind boxes and decorative items at the Lingyin Cultural and Creative Pavilion exceeded our expectations. Therefore, how to present these products completely to customers became a key focus for us. We ultimately decided to dedicate the visual center of the store to this area. The entire shopping flow revolves around a central long table, with a bridge designed to display these products.
For the indoor wall-mounted sales system, we selected perforated panels as the final display form. The drawers below incorporate traditional mortise and tenon joints, eliminating the conventional metal rails. This approach results in a more lightweight and precise overall craftsmanship.
On the left side, there is a large magnetic perforated board for displaying refrigerator magnets. The unrestricted magnetic format allows for easy rearrangement to create different displays according to the season or holiday.
The combination of perforated boards and metal grids can accommodate various product display and sales needs. The top design incorporates elements of mortise and tenon joints, using vertical panels and horizontal extensions to enhance the visual effect. Additionally, it integrates washi paper elements to simulate the texture of lanterns, creating a warm and soft atmosphere.
The left-side retail wall is designated for selling bracelets. A horizontal support is designed between two perforated boards to hang and display the bracelets. The lower area and the wall itself are used for placing and showcasing merchandise.
The store's logo is the highlight of the entrance. Since the shop is located in the Lingyin Temple Scenic Area, it is crucial to attract passing visitors. Therefore, we recommended placing the logo above the building. Additionally, the layered red panels enhance the entrance with a modern Chinese aesthetic.
In our design, we aimed to recapture the purest form of craftsmanship through attention to detail. Therefore, when designing the storage here, we eliminated conventional metal rails and opted for wooden interlocking joints for the drawers. This approach is intricate and time-consuming compared to modern industrial production methods. By reintegrating this traditional woodworking technique into a contemporary shop, we seek to honor and revive artisanal craftsmanship.
Product Spec Sheet
Were your products used?
Join as a manufacturer to add your products.