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Hotel Gahn
Hotel Gahn
Phang-nga, Thailand
Project of the Day on Jul 15, 2020
Project Featured on Jul 15, 2020
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Other Projects by Studio Locomotive
Hotel Gahn
Phang-nga, Thailand
Project of the Day on Jul 15, 2020
Project Featured on Jul 15, 2020
Firm
Type
STATUS
Built
YEAR
2019
SIZE
25,000 sqft - 100,000 sqft
BUDGET
Undisclosed
“THE EVOCATIVE TRACES TO THE OLD TOWN TAKUA PA”
The retired district Takua Pa in Thailand was once a prosperous home to Chinese miners from the tin rush during 1860s - 1970s. Their immigrating route through Malay Peninsula and interethnic marriage with native inhabitants had caused the unique transcultural hybridization inherited through generations of their descendants called Baba Nyonya.
Noticeable in their dressing, home-cooking recipe, local dialect, and traditional ceremonial activities, the project owner family’s pride in this ethnic status and commitment to advocate the Baba Nyonya culture of their hometown inspired the spatial experience design of Hotel Gahn suggested in the space programming, choices of materials, material treatments, and vernacular architectural features relatable to what could be seen in the local homes. These evocative traces associate to the distinctive Baba Nyonya’s ways of living in Takua Pa to reintroduce the historical charm of this retired old town.
On arrival this five-story hotel is outstanding from the steel gateway, modified from the shape of signature roofed continuous shophouse verandah Ngo-Ka-Ki, to preserve the privacy on the ground floor from road activities. The extensive wood lath façade, stained in opaque black from engine oil wood treatment, covers pipelines running out of the building to optimize the ceiling height.
The hotel reception, coffee lounge, and restaurant share the common ground with black clay brick flooring complemented with eclectic forms of warm wooden furniture. The central square table offers a casual Asian-family communal setting. The family’s collectible display cabinets along the side walls warmly narrate household stories. Ochre red and green colors, noticeable on local architectural ornamental elements, are applied on selected features including walls, pillar, and accented ceiling frames that disguise the pipe and wire tracks.
The dog-legged hardwood staircase leading to guestroom floors demonstrates local undemanding details with the top of newel post cut in a hexagonal shape and simple rectangle bars for railing and balusters. A unique type of window opening called ‘Fa Lai’, pairs wall gaps and a sliding lath that becomes part of the façade when closed.
Each guestroom features the use of traditional materials, local construction technicality, and daily household objects: terrazzo floor with brass strips, wooden wall with beading, vertical iron grille on closet door, bathroom door with wooden latch, Chinese canopy bed, and hand-painted ceramic wash basin.
The retired district Takua Pa in Thailand was once a prosperous home to Chinese miners from the tin rush during 1860s - 1970s. Their immigrating route through Malay Peninsula and interethnic marriage with native inhabitants had caused the unique transcultural hybridization inherited through generations of their descendants called Baba Nyonya.
Noticeable in their dressing, home-cooking recipe, local dialect, and traditional ceremonial activities, the project owner family’s pride in this ethnic status and commitment to advocate the Baba Nyonya culture of their hometown inspired the spatial experience design of Hotel Gahn suggested in the space programming, choices of materials, material treatments, and vernacular architectural features relatable to what could be seen in the local homes. These evocative traces associate to the distinctive Baba Nyonya’s ways of living in Takua Pa to reintroduce the historical charm of this retired old town.
On arrival this five-story hotel is outstanding from the steel gateway, modified from the shape of signature roofed continuous shophouse verandah Ngo-Ka-Ki, to preserve the privacy on the ground floor from road activities. The extensive wood lath façade, stained in opaque black from engine oil wood treatment, covers pipelines running out of the building to optimize the ceiling height.
The hotel reception, coffee lounge, and restaurant share the common ground with black clay brick flooring complemented with eclectic forms of warm wooden furniture. The central square table offers a casual Asian-family communal setting. The family’s collectible display cabinets along the side walls warmly narrate household stories. Ochre red and green colors, noticeable on local architectural ornamental elements, are applied on selected features including walls, pillar, and accented ceiling frames that disguise the pipe and wire tracks.
The dog-legged hardwood staircase leading to guestroom floors demonstrates local undemanding details with the top of newel post cut in a hexagonal shape and simple rectangle bars for railing and balusters. A unique type of window opening called ‘Fa Lai’, pairs wall gaps and a sliding lath that becomes part of the façade when closed.
Each guestroom features the use of traditional materials, local construction technicality, and daily household objects: terrazzo floor with brass strips, wooden wall with beading, vertical iron grille on closet door, bathroom door with wooden latch, Chinese canopy bed, and hand-painted ceramic wash basin.
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