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Facecity
Facecity
Sestiere Castello, Venezia, Italy
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Facecity
Sestiere Castello, Venezia, Italy
The
pavillon Facecity in the Biennale 2012, Common Ground, gives form to the idea
of the curator, Fulvio Irace, of continuity in architecture.
Reconsidering
the architecture of Milan in the Fifties and Sixties, where architects,
belonging to different generations and with different positions, built the
identity of the city without giving up their personal poetics.
The
central topic of this thought is the façade,
commented by Alberto Savinio in Ascolto il tuo cuore città, 1945: ...On the façade of buildings is not only written their date of
birth, but also written the moods, the manners, the most secret thoughts of
their time..., together with the flat window, theorized by Gio
Ponti as the way to shape modernity.
Rooted on these elements, a 15 meter long, textured wall in the
pavillon houses the Facescroll, a work where the photographer Pino Musi
assembled 21 Milanese buildings reduced to façade details as if they were a
musical partition.
On the opposite side are the original drawings of those buildings
by Gio Ponti, Magistretti, Asnago and Vender and others.
In the middle a horizontal screen, an iPad, like a translation
of the window in contemporary (from the position of vertical and fixed to that
of horizontal and moving, shows the videos of Francesca Molteni interviewing
Carlo Cappai, Vincenzo Latina, Renzo Piano, Maria Alessandra Segantini and
Attilio Stocchi, who explain their idea of continuity.
pavillon Facecity in the Biennale 2012, Common Ground, gives form to the idea
of the curator, Fulvio Irace, of continuity in architecture.
Reconsidering
the architecture of Milan in the Fifties and Sixties, where architects,
belonging to different generations and with different positions, built the
identity of the city without giving up their personal poetics.
The
central topic of this thought is the façade,
commented by Alberto Savinio in Ascolto il tuo cuore città, 1945: ...On the façade of buildings is not only written their date of
birth, but also written the moods, the manners, the most secret thoughts of
their time..., together with the flat window, theorized by Gio
Ponti as the way to shape modernity.
Rooted on these elements, a 15 meter long, textured wall in the
pavillon houses the Facescroll, a work where the photographer Pino Musi
assembled 21 Milanese buildings reduced to façade details as if they were a
musical partition.
On the opposite side are the original drawings of those buildings
by Gio Ponti, Magistretti, Asnago and Vender and others.
In the middle a horizontal screen, an iPad, like a translation
of the window in contemporary (from the position of vertical and fixed to that
of horizontal and moving, shows the videos of Francesca Molteni interviewing
Carlo Cappai, Vincenzo Latina, Renzo Piano, Maria Alessandra Segantini and
Attilio Stocchi, who explain their idea of continuity.
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