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Arts Centre
Arts Centre
Chisinau, Moldova
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Other Projects by Maxim Calujac
Arts Centre
Chisinau, Moldova
The composition of space and lay-out is based in a module of a rectangle with correlation of sides 5 to 6 which geometrical construction is based on the scheme of interrelation of diagonals of a cube to crossing of a hypotenuse with radius of the
centre of diagonal.
Given correlation represents personal perceptions the author of a proportion of a rectangle. Proportions in the solution of facades and volume are connected directly with the given module. The author aspires to create the integral, laconic dimension free of decorative details conceived as a sculpture in the form of a huge parallelogram inscribed in a hill.
Diversity of internal space is opposed to laconism of external shape of a building. Its structure develops under the certain scenario - simple geometrical volumes are located on a spiral symbolising movement from depth of history into the future. The system of vertical communications connects all levels of a museum designed for permanent and short-term expositions.
Lay-out at all levels is free. As planned by the author the Center of Arts is a flexible structure based on principles of universality. Here it is supposed not only to develop expositions, but also to arrange shows and carry out training in various forms of art. Expressiveness of the decision strengthens with a possibility to see all the halls through transparent glass of cube showrooms. The interaction of blind and transparent surfaces of walls and variety of different dimensions outside its shell is observed. Plurality of perspectives inside and outside provides a necessary variety of impressions.
In both internal and external trimmings traces of timbering are preserved and covered with a protective layer. Appearance of interiors is ascetic which allows directing all accents at exhibited objects.
Huge window openings are used in form of an open gallery creating a mood for the visitors on their approach to the building. The exposition of sculptures has something in common with stone compositions outside the building, creating thereby organic coexistence of an artificial construction with a natural landscape. The accomplishment is deprived of rhythm and symmetry with the purpose to take away sensation of cultural space from the spectator. And use of such laconic, well matched to the nature, a material as concrete promotes absence of the conflict between architecture and environment
centre of diagonal.
Given correlation represents personal perceptions the author of a proportion of a rectangle. Proportions in the solution of facades and volume are connected directly with the given module. The author aspires to create the integral, laconic dimension free of decorative details conceived as a sculpture in the form of a huge parallelogram inscribed in a hill.
Diversity of internal space is opposed to laconism of external shape of a building. Its structure develops under the certain scenario - simple geometrical volumes are located on a spiral symbolising movement from depth of history into the future. The system of vertical communications connects all levels of a museum designed for permanent and short-term expositions.
Lay-out at all levels is free. As planned by the author the Center of Arts is a flexible structure based on principles of universality. Here it is supposed not only to develop expositions, but also to arrange shows and carry out training in various forms of art. Expressiveness of the decision strengthens with a possibility to see all the halls through transparent glass of cube showrooms. The interaction of blind and transparent surfaces of walls and variety of different dimensions outside its shell is observed. Plurality of perspectives inside and outside provides a necessary variety of impressions.
In both internal and external trimmings traces of timbering are preserved and covered with a protective layer. Appearance of interiors is ascetic which allows directing all accents at exhibited objects.
Huge window openings are used in form of an open gallery creating a mood for the visitors on their approach to the building. The exposition of sculptures has something in common with stone compositions outside the building, creating thereby organic coexistence of an artificial construction with a natural landscape. The accomplishment is deprived of rhythm and symmetry with the purpose to take away sensation of cultural space from the spectator. And use of such laconic, well matched to the nature, a material as concrete promotes absence of the conflict between architecture and environment
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