Gather, order, sort, arrange and finally get to see, make it visible, this site is for us both a project in itself in the sense that we understand it. That is a promise made to a place other and even an issue of time.
The question is this: is it the thought underlying, pre-architecture?
The series does not explain the project is not the cause or excuse but even trace components of the architecture.
Namely: fold, memory, striated space, rhythm, scale, mashed, memory ... we obsess as a refrain in the background. The words are in no way supporting this or that form of the project.
Kenneth Frampton introduced our book notes that in registration of architecture in two important points:
- This violent interrogation of the global circulation, clichés run but only signs.
- One of the tectonic and material registration.
Building is not achieving a sketch or intention but we would like to demonstrate that the project as germ is both a prerequisite (drawing / text) a tool (the drawing) that materiality in the making, and finally launched inhabited thing in duration.
In other words we try to make visible what path the project, germ and gift vector become.
Sketches live thought the lights are revealing space and materials (concrete, wood, glass, steel, earth), pose the project inside out.
Today we measure the importance of the promise in architecture and I'd remember the promise brings the community as a place.
An individual dies without a promise within 5 days according to paleontologists.
5 points of architecture become five promises of architecture:
- The inside (internal / external skin)
- Tekhne (comfort / shelter)
- Beautiful
- Space, so freedom
- Crystal (the report to become to wear and use)
http://www.youtube.com/watch?v=KbNDLVinsWk&width=350&height=220
Our dilemma today is placed before the influx of images and some offer new spaces.
The world menu, you have to order and do not despair - hope or promise replaces the term architect sign replaces the project.
So frivolity replace freedom, gold, space is the place that always renewed freedom that the designer can offer.
These in, these lights, these forms are here for. Put the question to the bottom (the text) of the tool (the drawing) and our materials, this is tectonics.
We are condemned to propose to invent, not in the context but by serializing conflicting intentions of the place, the program, the economy and the body.