Informed by the continued dialogue that cuts across various specialisations, methodologies and research, louta et al. hopes at arriving at a practice of design that is neither this-nor-that—as a homecoming of sorts to precisely that indeterminate place that embodies the Japanese 境界 (kyokai) or the Filipino liminal.
Spearheaded by individuals that see their roles as uncompromising co-creators, designs are defined as a discreet curation of intentional detailing: structured but also improvisational in the care for nuances any project inherently possesses.