
Born in the Concrete Jungle: The Architecture of Hip-Hop
It is possible that if Corbusian developments like 1520 Sedgwick didn’t have ample, well-maintained public spaces, then hip-hop never would have had a place to grow.
It is possible that if Corbusian developments like 1520 Sedgwick didn’t have ample, well-maintained public spaces, then hip-hop never would have had a place to grow.
The histories of America’s 1,200 mosques tell the story of Muslim families from around the world, ma ny of whom have lived in the U.S. for centuries.
BIG and Heatherwick Studio reveal new plans for Google’s Charleston East campus ahead of a public he aring this week, while Apple gets ready for employees to move into its new 2.8-million square-foot headquarters.
The Swiss firm’s proposal is defined by a series of 264 brick piers that encompass the stands — unit ed at their summit by a circular band of steel
San Diego’s architects decide that, to celebrate itself, this American city would dress up as Mexico .
Bob Borson has answered this question at least a hundred times over the last six years and has disti lled the answer down to what he believes is the very first step.
Gehry’s class sells the idea that architecture can be accomplished as an artistic distraction on eve nings and weekends.
What value can be placed upon such a flagrant violation of Frank Lloyd Wright’s hallowed creation?
Is each person in their own cubicle secluded from others? Are any teams huddled together sketching? Do you see any smiles?