Curtain Call: 8 Dramatic Theatre Schools That Steal the Spotlight

Theatre architecture spans millennia. Informed by early Sanskrit dramas and ancient Greek tragedies, theatrical works and plays have been housed in diverse spatial environments. From open-air theatrons and Elizabethan courtyards to Japanese kabuki stages and contemporary complexes, the architecture surrounding performance centers on storytelling. While powerful relationships exist between audiences and actors and the areas they inhabit, contemporary projects are being designed to build new connections between theatrical practice and public spaces.

The following collection takes a look at this condition through theatre and art school designs. Created with spaces that support learning and forms that connect and reveal, each project critically explores surface and volume. With practice areas that are superimposed or oriented to the public, theatrical performance begins to transcend formal stages. As landmarks and monolithic expressions, the designs showcase both dramatic and subtle methods to an architecture that celebrates embodied stories.

‘Henri Dutilleux’ Music, Theater and Dance Conservatory by Dominique Coulon & Associés, Belfort, France

Echoing the surrounding open landscape, the ‘Henri Dutilleux’ Conservatory rises as a monolithic and seemingly opaque mass. Built with a condensed and superimposed program, multiple functional spaces are connected to fit into each other as the areas are hollowed out of a dense mass.

Williams College, ‘62 Center for Theatre and Dance by William Rawn Associates, Architects, Inc, Williamstown, MA, United States

The new arts center as Williams College was built to support theater and dance students while embracing college life. Multiple campus paths weave through the building, while four performance venues are carefully oriented around views and programmatic activities.

Weitz Center for Creativity by MSR (Meyer, Scherer & Rockcastle), Northfield, MN, United States

Conceptualized as a working laboratory for creativity, the Weitz Center was made as an adaptive reuse and addition to a former middle school. Designed with future expansion in mind, the center currently houses space for studio arts, cinema and media studies, as well as dance and theater.

McMaster Institute for Music and the Mindby McCallum Sather Architects Inc., Hamilton, Canada

Created as an addition to the Psychology Building at McMaster University, this “live lab” includes a theatre space and gathering areas. The project was designed on top of an existing building structure to form a state-of-the-art facility.

The Boston Conservatory, Hemenway Buildingby Handel Architects LLP, Boston, MA, United States

The Boston Conservatory’s Hemenway Building was built on a vacant lot next to the existing campus theater. The project includes studios, practice and rehearsal spaces, a theater, and administrative areas.

© Tod Williams Billie Tsien Architects | Partners

Logan Center for the Arts by Tod Williams Billie Tsien Architects, Chicago, IL, United States

TWBT’s Logan Center is sited at the southern edge of the Midway Plaisance at the University of Chicago. Housing multiple art departments, the center includes a formal proscenium theater, an apron stage theater, and a black box space.

Kennedy Center for Theatre and the Studio Artsby Machado Silvetti, Clinton, NY, United States

The Kennedy Center is part of the new arts quad at Hamilton College. Taking advantage of an open, sloping site, the facility is located along the southern edge of the property overlooking a reconstructed pond.

The Theatre School, DePaul Universityby Pelli Clarke Pelli Architects, Chicago, IL, United States. (Photo credit: © Jeff Goldberg/Esto)

Created with a combination of flexible and free-flowing spaces, this theatre school at DePaul was formed with simple volumes and articulated glazing. An impressive, iconic black-box theater overlooks out onto the street, while multiple spaces can transform into performance areas.

Author: Eric Baldwin

Based in New York City, Eric was trained in both architecture and communications. As Director of Communications at Sasaki, he has a background spanning media, academia, and practice. He's deeply committed to trying as many restaurants as possible in NYC.