© COOKFOX Architects

Live to Work or Work to Live? These 7 Homes Choose Both

Ross Brady Ross Brady

Some people really don’t like to commute. Recent technologies may have altered previous conditions requiring work to be done in centralized locations, allowing more flexibility for people to decide where they live, but there’s a fine line between choosing to live near one’s work and choosing to live above, below or within it. That’s the case for the homes in this collection: they all feature commercial work spaces for their occupants as part of their design.

Inherent in these residences is a discernible boundary (or lack thereof) between their owner’s personal and professional lives. This divide can be clear and concise or more blurred, as is the case in workplaces that seem to bleed into living spaces, and vice versa. For architects who design such buildings, whether for themselves or a separate client, it’s a chance to design someone’s home and work as a cohesive whole. The act of combining the two represents bringing someone’s entire existence under one roof, and in doing so, invites the two primary aspects of their life into close proximity with each other — an act that demands careful, attentive design.

© Thomas Heimann

© Thomas Heimann

© Thomas Heimann

© Thomas Heimann

Werkhaus Schütze by Thomas Kröger Architekt, Gerswalde, Germany

A designer’s showroom mediates the space between their residence and workshop in this three-part structure. As an addition to an existing barn, a rustic aesthetic has been echoed throughout, unifying discrete program areas and concealing the fact that the showroom and living quarters are anachronistic to the original workshop.

© himma studio

© himma studio

© himma studio

© himma studio

Cross Grain House by himma studio, Paju, South Korea

An artist’s personal gallery and home are housed in this small complex, which takes formal cues from the contours of the landscape it sits on. Long, narrow gallery spaces on the lower levels provide ample space to display the artist’s work, which is primarily wooden sculpture work. Copper panels on the outside vary between perforated and solid, making reference to the materiality of the work being displayed.

© OPA

© OPA

© OPA

© OPA

Gallery House by Ogrydziak Prillinger Architects (OPA), San Francisco, Calif., United States

Two art collectors occupy this house with a commercial gallery on the ground floor. Using the gallery as a space to display works from their own collection as well as their friends, it is opened to the public at will, and can be used as a venue for lectures and other cultural events. A viewing circuit through the gallery can even be extended to pass through the home itself, leading to a sculpture garden on the top floor.

© COOKFOX Architects

© COOKFOX Architects

© COOKFOX Architects

© COOKFOX Architects

LIVE WORK HOME by COOKFOX Architects, Syracuse, N.Y., United States

This experimental house seeks to benefit not only its occupants but also its neighborhood by adding a variety of building types and thus increasing the long-term value of the area. On the inside, an open-form plan can be divided at will between living and working spaces using a flexible partition system. An outdoor space that can double as a workshop opens directly onto the street.

© Hitzig Militello arquitectos

© Hitzig Militello arquitectos

© Hitzig Militello arquitectos

© Hitzig Militello arquitectos

Office + House Luna by Hitzig Militello arquitectos, Buenos Aires, Argentina

The design for this house separates living and working spaces not only by housing them in different buildings, but also with a clear change in form and interior volume. The office building on the front of the lot is closed and tight, and presents a clean, crisp façade to the street, while the house in the rear is more open and playful, featuring an unusual cantilever and expansive glazing. The otherwise separate structures are united with an identical materials palette.

Live Work Studio by Rame Hruska, Houston, Tex., United States

Boundaries between work and life have been fully overlapped in this house, as spaces convert between such uses as architectural material library and dining room depending on the time of day. Further flexibility is seen in the use of a reception area as a local gallery, and even a garden in the backyard doubles between a child’s play space and a productive vegetable garden.

© Salmela Architect

© Salmela Architect

© Salmela Architect

© Salmela Architect

Salmela House + Office by Salmela Architect, Duluth, Minn., United States

An architect’s home and office were apportioned here with a garage entrance serving as the division point. Separating the entrances to home and office as much as possible from the exterior approach, the interiors of each seem to be far apart, even while tightly hugging a simple, cubic core structure. A series of long, low staircases between half-levels serve to connect the home’s various functions.

Read more articles by Ross

In Memoriam: 9 Remarkable Projects to Remember Zaha Hadid

Zaha Hadid, one of architecture’s most cherished and controversial figures, has sadly passed a way, cutting short an extraordinary and groundbreaking career. Hadid was the first woman to receive both the Pritzker Prize in 2004 and the Royal Institute of British Architects’ Gold Medal in 2016 for her achievements, which brought us some of the most…

The AIA’s New Mantra: “Please Give a F*ck About Architecture!”

In a bold new attempt to get more people to appreciate architecture, the American Institute of Archi tects has unveiled a fresh public awareness campaign with a highly memorable tagline. The call for people to “Please Give a F*ck About Architecture” comes after last year’s initiative — charmingly entitled “Look Up” — failed to win the…

+