For centuries, churches took the form of ornate temples embellished with sculptures, cornices, tympanums, mosaics, and stained glass — each a measure of the church’s devotion to a higher power. During the 20th century, however, churches like Le Corbusier’s Ronchamp Chapel and Tadao Ando’s Church of the Light proved that decoration was not required to create a hallowed space. Through the use of reinforced concrete, a raw material believed by many architects to have evocative properties, a sense of sanctity could be created without the need for excessive ornamentation.
We decided to take a look at how the smooth texture and cool colors of concrete have been adapted to the contemporary structures that make up this solemn typology.
Like a colossal boulder resting on a mountain, the Sunset Chapel draws inspiration from its rugged topography. Poured concrete gives the chapel its rocky form, while a glass wall featuring a decorative cross frames magnificent views of the ocean and sunsets.
The overall footprint of this fluid concrete church follows the outline of a seed, hence its namesake. Inside the chapel, the textured surface of the heavy walls was created by in-situ concrete construction with bamboo formworks. The bamboo texture left on the concrete surface reduces the wall’s massiveness and harmonizes with the surrounding trees and green landscape.
This striking church on the Canary Islands is composed of a large piece of concrete split and cut into four large volumes, creating the feeling of movement at the separations.
Composed of a series of simple, cubic volumes poured from concrete, NAMELESS Architecture’s church evokes the shape of a cross and claims a prominent presence within a developing urban landscape. The large bell tower of traditional churches is replaced by a cross within an illuminated empty space on the building’s upper floors, while the solidity of concrete is a metaphor for lasting religious values.
Situated on a narrow plot of land, this concrete church adapts to its unusual shape, resulting in a skewed geometric form resembling a scalene triangle. Inside, the space narrows in the plan and starts to increase in height leading up to the altar, the main element of the temple.
The sloped, triangular roof of the Froeyland Orstad Church was inspired by the west coast landscape in Southern Norway, where the terrain is both open with flat planes and hilly in other parts. The approach to the church goes along an axial path and guideline with custom-made concrete tiles depicting biblical quotes.
Situated on a lake, this open-air concrete chapel features a disorderly array of columns that support the rectangular roof. The columns were conceived as a group of filaments that, when lit with the proper energy, can illuminate the surroundings with a glimpse of solemn light.