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Xie Zilong Photography Museum
Xie Zilong Photography Museum
Changsha, China
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Other Projects by WCY Regional Studio
Xie Zilong Photography Museum
Changsha, China
Firm
Type
STATUS
Built
YEAR
2017
Photos
The design of Xie Zilong Photography Museum begins with thinking about the rel
ationship between architecture, city and nature. The existing ecological wetlan
d reveals the connection between architecture and city, and provides a re-exami
nation of a different perspective on urban architectural landscapes that has be
en in commonplace: Architecture, people, and nature are equal, embracing the wo
rld in a way of intergrowth and coexistence. The building itself is a huge "art
istic self-contained body". The construction using only white fair-faced concre
te and a highly intensive, on-site integrated casting method is not only an ori
ginal condensed of architectural poetry, but also a thinking and responding to
the Chinese traditional idea of “thrift-worship”.
The Photography Museum is a place to store memories and awaken viewers' memor
ies. A series of constituent elements such as cross paths, arc bridges, boardwa
lks, and small docks suggest collective unconsciousness about nature and memor
y. The Photography Museum uses a familiar object in daily life to build a maze
full of differences and time stagnation, and guides the viewer to pay attention
to the strangeness and physicality after “Verfremdu
ationship between architecture, city and nature. The existing ecological wetlan
d reveals the connection between architecture and city, and provides a re-exami
nation of a different perspective on urban architectural landscapes that has be
en in commonplace: Architecture, people, and nature are equal, embracing the wo
rld in a way of intergrowth and coexistence. The building itself is a huge "art
istic self-contained body". The construction using only white fair-faced concre
te and a highly intensive, on-site integrated casting method is not only an ori
ginal condensed of architectural poetry, but also a thinking and responding to
the Chinese traditional idea of “thrift-worship”.
The Photography Museum is a place to store memories and awaken viewers' memor
ies. A series of constituent elements such as cross paths, arc bridges, boardwa
lks, and small docks suggest collective unconsciousness about nature and memor
y. The Photography Museum uses a familiar object in daily life to build a maze
full of differences and time stagnation, and guides the viewer to pay attention
to the strangeness and physicality after “Verfremdu
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