Variant 1. In the image of this project we have used direct and indirect associations, such as "light and darkness", an hourglass as a symbol of time, wooden Trojan horse, as a symbol of transformation of different features of objects and others. The tower is designed as a hourglass, where the stairway is located outside of the tower in the lower half, and inside in the upper part. Raising and lowering the visitors follow in conjunction with the passage of time, in the opposite direction, respectively, or while within the tower or outside. Wooden beams are used as a frame, as a coating wooden slats at an angle equal to the slope of the stairs.
Variant 2. An ordinary frame was taken as an archetype underlying the project - fourwalled. On the ground floor of the object there is a room for events. From the level of the ceiling of this room, log crowns begin to rotate around a central vertical axis of the house, which forms the corners crowns staircase leading to the observation deck. At the level of the floor rotation of viewing platform crowns stops, which makes this area in the house like a continuation of the house, located on the ground level. Viennese of the house are the supporting structure of the tower and a staircase leading to the observation deck
Variant 3, 4. The basis of these two versions of the project is the trajectory of a boomerang, consisting in one case out of three, in the other - of the four petals. Stairs made of bars, stacked rotated through 120 g. and 90 c. respectively. These basic elements are arranged along the vertical axis turrets rotated by a certain angle, which makes it possible to arrange lifting of visitors by this elements as the stairs to the upper observation deck. In one variant, thus arranged three stairs, in the other - four stairs. Top viewing platforms covered with a transparent canopy. Room for activities outlined in an independent object, made in the same design as the towers. It is also overlapped with tent.
Variant 5. We would like to turn the tower into a complex with the possibility of a wider range of activities, such as festivals, concerts, etc., but to keep basic function of this project and without adding new elements and to fill the object more imagery. Thus the tower turned into a pyramid formed by four horizontal and four sloping edges. In inclined facets are four ladders and in horizontal facets are platforms for placement of seats for spectators. In the center is the stage platform. At the top of the pyramid is a viewing platform above it is the room with a winch that controls dipping awning stretched over the stage. The construction is a wooden frame. A veneer, stained glass, wooden rake, and others can be used as a cover (see. Picture). The designs of wooden architecture in pre-revolutionary Russia and patterns from the catalog of the Great Russian and Little Russian patterns were used as the patterns of the project.
Variant 6. We heard how the villagers of Nikola that in ancient times people have tried to build the Tower of the greatest height up to the sky, what would rival in greatness with God. And why do not we create something similar - they decided! They wanted to break away from the Earth - Mother, but picked up close to the SUN. Made an assembly, decided and argued, but it never came up. Then someone suggested to take away all the houses that were in the village at the highest and most beautiful place, and put them at each other. It turns out that the forest to save and much extra work wasn’t required. They decided - so be it. Now before everyone they meet the Sun and later accompanied it to the horizon. And since they have managed to avoid unnecessary work and may just become the envy of the neighbors call them the village of Nikola-slothful. At that time, a merchant passed through their village, dealing with construction contracts and so he liked the idea of gathering in one building a few houses, which he began building multifamily apartment buildings. But that is another story…