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WAL(L)TZ, Dubai Design Week 2019
WAL(L)TZ, Dubai Design Week 2019
Dubai, United Arab Emirates
Project Featured on Nov 23, 2019
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Other Projects by T SAKHI
WAL(L)TZ, Dubai Design Week 2019
Dubai, United Arab Emirates
Project Featured on Nov 23, 2019
Firm
STATUS
Built
YEAR
2019
SIZE
0 sqft - 1000 sqft
BUDGET
Undisclosed
WAL(L)TZ, an interactive installation exploring the concept of the wall as a physical and psychological construct, addressing Lebanon’s socio-political climate in recent years. Selected to represent Lebanon as one of this fifth edition’s three national pavilions, the curated project is presented as part of Dubai Design Week’s special project space Abwab, from 11—16 November 2019.
Prompted to reflect on this year’s theme, “Ways of Learning,” and on the way information is shared in their culture, sisters and cofounders Tessa and Tara Sakhi transform the wall into an activator for awareness and sociability. WAL(L)TZ echoes a Lebanese society congested with physical walls, seeded throughout its urban infrastructure and public spaces. Moving beyond its materiality, the project also delves into the wall’s psychological and emotional dimension.
From geographical borders to vestiges of wars and expressions of socio-political and economic apartheid, walls have been used throughout history as tools to control and segregate communities, cities – and countries. Nevertheless, the wall remains the inescapable and main element in architectural endeavours – a precedent which WAL(L)TZ seeks to question.
The pavilion consists of a 15-meter linear wall – one that is overwhelmingly present, yet porous. Seeking to overcome the perception of the rigid structure as a barrier, WAL(L)TZ is crafted in recycled foam, throughout which cracks, “loopholes” and other happenings are playfully interspersed, thereby encouraging audiences to connect and interact through – and in spite of – the wall. The visitor, turned performer, finds himself taking part in a choreographed protest, a reinterpreted “waltz” – one that reflects the voices rising against oppression in Lebanon – and globally – today.
Building on the studio’s socio-cultural engagement to place human interaction at the core of their practice, T SAKHI’s WAL(L)TZ re-appropriates the physical wall and rethinks visitors’ conception and experience of it. Acting as both a mirror and a window onto society, it encourages visitors to see and reach beyond the “wall” – thereby echoing Lebanon’s longstanding tenacity in the face of adversity.
Discussing the project, architects Tessa and Tara Sakhi explain, “WAL(L)TZ represents the act of resilience in overcoming any obstacle and transforming it for constructive change. We see the project as a platform for bodies to reconnect and interact with each other – finally reuniting them.”
In Holidays in the Sun and Lost in Transition, two experimental urban interventions unveiled in Beirut in June 2019, T SAKHI reinterpreted security barriers found throughout the city as stools and spaces for greenery – inviting the local community and visitors to engage in public space, while – and already at the time – pointing to the abundance of barriers blighting Lebanon’s visual landscape.
Prompted to reflect on this year’s theme, “Ways of Learning,” and on the way information is shared in their culture, sisters and cofounders Tessa and Tara Sakhi transform the wall into an activator for awareness and sociability. WAL(L)TZ echoes a Lebanese society congested with physical walls, seeded throughout its urban infrastructure and public spaces. Moving beyond its materiality, the project also delves into the wall’s psychological and emotional dimension.
From geographical borders to vestiges of wars and expressions of socio-political and economic apartheid, walls have been used throughout history as tools to control and segregate communities, cities – and countries. Nevertheless, the wall remains the inescapable and main element in architectural endeavours – a precedent which WAL(L)TZ seeks to question.
The pavilion consists of a 15-meter linear wall – one that is overwhelmingly present, yet porous. Seeking to overcome the perception of the rigid structure as a barrier, WAL(L)TZ is crafted in recycled foam, throughout which cracks, “loopholes” and other happenings are playfully interspersed, thereby encouraging audiences to connect and interact through – and in spite of – the wall. The visitor, turned performer, finds himself taking part in a choreographed protest, a reinterpreted “waltz” – one that reflects the voices rising against oppression in Lebanon – and globally – today.
Building on the studio’s socio-cultural engagement to place human interaction at the core of their practice, T SAKHI’s WAL(L)TZ re-appropriates the physical wall and rethinks visitors’ conception and experience of it. Acting as both a mirror and a window onto society, it encourages visitors to see and reach beyond the “wall” – thereby echoing Lebanon’s longstanding tenacity in the face of adversity.
Discussing the project, architects Tessa and Tara Sakhi explain, “WAL(L)TZ represents the act of resilience in overcoming any obstacle and transforming it for constructive change. We see the project as a platform for bodies to reconnect and interact with each other – finally reuniting them.”
In Holidays in the Sun and Lost in Transition, two experimental urban interventions unveiled in Beirut in June 2019, T SAKHI reinterpreted security barriers found throughout the city as stools and spaces for greenery – inviting the local community and visitors to engage in public space, while – and already at the time – pointing to the abundance of barriers blighting Lebanon’s visual landscape.
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