The designer attempted to start with the existing large-scale building components in the space to develop the “layer” which indicates the extension of space so as to demarcate the internal logical reasoning of physics of the space. In this process, the designer applied the grid of “layer” and the special lights matched with it to make the mutual superposition of linear light and shadow express the characteristics such as line, layer, monochrome and change of ink painting. This not only makes the space of ink painting’s language form transformed, but also activates the exiting spiritual attribute of the space. Then, the designer makes this spiritual meaning re-mix in architectural space and finally express it in each interior architectural vertical face.
To compare it with the freedom of all dimensional models rotating in computer’s view is not the perspective of audience. The complication of relationship causes the obstacle to understanding by the architect and audience, and at the same time, endows the meaning of their stand separately. Such balance between the architect and audience catalyzes their democratic relationship and give them freedom for interpretation.