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UNDERBERG MoMA PS1  

UNDERBERG MoMA PS1

New York City, NY, United States

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UNDERBERG MoMA PS1

New York City, NY, United States

Firm
Type
YEAR
2014
“Underberg” is an urban iceberg. The world under the ice unfolds as a kind of magical urbanism. Its crevasses take on the form of the avenues and streets of the gridiron. The edges of blocks drip as if they are melting, creating spaces like rooms with rain instead of walls. A barrel vault ceiling directs the party straight to the stage and the museum. A glacial lake forms under the vault of a large rotunda. Throughout the walls of the streets an intricate series of marble patterns act as a kind of instinctual wayfinding for its citizens. Fifty foot poles hold the entire form up off the ground in an adapted tensegrity frame. The poles represent the idea of structure, but they also comprise the giant air intakes and exhaust to keep cool air going through the courtyard at all times.

True to its iceberg roots, Underberg only survives by its sustainability. It’s sustainable through a combination of reuse and low embodied energy. The poles are prefabricated telecommunications towers; once their job in the courtyard is done, they will be re-sold. The glacial forms and marble surfaces are made out of Tyvek, an extremely low embodied energy material. It has been crafted to resemble stone using the centuries old practice of aqueous marbling. Even though the Tyvek could be recycled, a second life is envisioned for the graphic wrapper: it will be re-purposed by American Apparel for a limited collection of coats and jackets to keep us warm in the winter.


UNDERBERG, 2014 LAMAS LLC

LAMAS PS1 Team:
Wei-Han Vivian Lee, principal
James Macgillivray, principal
Patrick Ethen, project manager
Missy Ablin
Andrea Kamilaris
Jennifer Komorowski
Soonjae Kwon
Owen Maher
Le Nguyen
Elizabeth Nichols
Max Obata


Film by:
Ellen Coons

With assistance from:
Scott Fredricks, Dan Kobran, Jacques Mersereau, Andrew Isaac Ng and Oleksandra Topolnytska

In collaboration with:
Lars Junghans, University of Michigan, Nat Oppenheimer, Robert Silman Associates and Wade Wesson, Dazian Creative Fabric Environments

Special thanks to the support of:
Christopher Barley, Peter von Bulow, Jeff Goldenson, Matthias Hollwich, Adam Hostetler, Michael Kennedy, Marc Kushner, John McMorrough, Thom Moran, Monica Ponce de Leon and Taubman College of Architecture and Urban Planning, University of Michigan

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