Plane and simplified forms, shaped of pure colours and
vivid contrasts, insinuate themselves in the disorientating toponymy of
fair pavilions. In counter-tendency to conventionally styled publicity,
which imposes the use of slogans and plays with signification and words,
we avoided the prevalent dimension of communicational overdose, using a
sole trademark stamp as a parody of the seriousness and the immanence
of media.The company's marque, transformed in a bi-chroma figure,
fuses itself with the volumes of the exhibition stand and underlines the
sense of the symbolic space without any unnecessary nostalgia.