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The Vortex
The Vortex
Shenzhen, China
Finalist, 2023 A+Awards, Concepts - Architecture +Low Cost Design
Finalist, 2022 A+Awards, Concepts - Architecture +Art
Project Featured on Aug 03, 2023
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The Vortex
Shenzhen, China
Finalist, 2023 A+Awards, Concepts - Architecture +Low Cost Design
Finalist, 2022 A+Awards, Concepts - Architecture +Art
Project Featured on Aug 03, 2023
Firm
STATUS
Built
YEAR
2021
SIZE
0 sqft - 1000 sqft
BUDGET
$50K - 100K
The Vortex is a low-budget and recyclable display garden at the 2021 Shenzhen Garden Show. In a context where mostly garden materials are turned into trashes after the garden show is completed, the landscape architects propose to reconsider the life cycle of a temporary garden. A prefabricated module system was devised, through which the garden could be restored with 90% of the items after the garden show. After a short period (40 days) of exhibition, the landscape architects had retrieved the planter modules right before the dismantling process started. The recycled modules were successfully reused in three places separately - public roof deck, street corner by the sidewalk, and community garden.
The Vortex was composed of two spiral landform structure made of 220 prefabricated planters, resembling the waves above the sea. A gradient selection of white, pink, purple, and dark blue flora spread with the planters.
Along with the path that was framed by the rising vortex, visitors gradually walked into underseas, where succulent and herbal plants with various shapes and colors represent the coral reef. The back sides of the vortex were made of mirror-finish steel panels, which reflect adjacent images, that sensually enlarged the space. The dangling light fabrics were so soft that the light breeze effortlessly made them swim like jellyfish. Even though the footprint of Vortex was modest, the mini garden provided an interesting experience for people to interact with.
Despite The Vortex’s extremely limited timeframe and construction budget, the aggregation of modules improved its construction efficiency. More importantly, the modules could be recycled and reused in another places permanently, instead of being destroyed. The Vortex exhibited paying attention the gardens’ life cycle in temporary flower/garden shows, which are meaningful public events for recreation and aesthetics appreciation.
The Vortex was composed of two spiral landform structure made of 220 prefabricated planters, resembling the waves above the sea. A gradient selection of white, pink, purple, and dark blue flora spread with the planters.
Along with the path that was framed by the rising vortex, visitors gradually walked into underseas, where succulent and herbal plants with various shapes and colors represent the coral reef. The back sides of the vortex were made of mirror-finish steel panels, which reflect adjacent images, that sensually enlarged the space. The dangling light fabrics were so soft that the light breeze effortlessly made them swim like jellyfish. Even though the footprint of Vortex was modest, the mini garden provided an interesting experience for people to interact with.
Despite The Vortex’s extremely limited timeframe and construction budget, the aggregation of modules improved its construction efficiency. More importantly, the modules could be recycled and reused in another places permanently, instead of being destroyed. The Vortex exhibited paying attention the gardens’ life cycle in temporary flower/garden shows, which are meaningful public events for recreation and aesthetics appreciation.
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