Our preconception of the façade as purely a means to enclose has limited our notions of the in-between and the relationship of the interior and exterior.
This installation is the purest manifestation and expression of the in-between both architecturally and conceptually.
In its most poetic form, the in-between is an intense understanding of place and movement which cannot exist autonomously. Instead it is a relationship formed by two places. In this sense, it is not a physical space, but a line; a threshold experienced as a momentary crossover that is continually altered by the two adjacent realms which define it. Without movement -without transition- the in-between does not exist.