This project is more than a composition of geometric forms; it is an attempt to redefine the experience of dwelling in space. The circle, the cylinder, and the plane are not merely formal elements here — they become moments of presence, absence, and movement. Confronted with this composition, the viewer encounters a condition that is neither fully enclosed nor fully open, but suspended in a state between interior and exterior.
Architecture, in this sense, moves beyond performance and enters the realm of sensory and lived perception. Light, shadow, and material converge to generate conditions that compel the user to reflect on fundamental questions of spatial being, boundary, and transparency. What becomes essential in this experience is not the form as an object, but the relational quality that unfolds between the human body and its surrounding environment.
Ultimately, the project manifests as an “architecture-as-question” — an inquiry into how space can find meaning between stillness and movement, between revelation and concealment, and between presence and absence.