The first spatial idea for a sports program sprouted from the words rhythm and light, later transforming these words into a concept, a box of piled match sticks. On the site, the composition shifts the mass to a close contact with the surrounding buildings, making them an ally to the project’s spatiality. Two distinct but complementary programs, swimming pool and gymnasium, give birth to two tensioned bodies. More than anything, what unifies them is a negative become space, spawned, in planand section, between the limits of those bodies and the shape of the surroundings.I’m interested in the union of two opposites. The rhythm of the outer limits is balanced with a continuous inner core reality, in which the element ‘wall’ assumes greater importance in the logic of scenario and building.Continuity versus rhythm. Music. The outer scenario is fragmented into hundreds of components, a musical beat. The doubt between the structural condition of all of them or just some arises. I believe it to be more interesting tomexplore the provocations of the ‘artificial’, more than just the obvious truth of the structural logic, because the artifice, mark of current times, will not be less valid than the total modernist truth.Parking spaces are spread, divided by the condition of a building to be seen by all angles. The tree is the icon which organizes the public space, bait that lures one to the entrance, in a gradual shift of realities, to thefoyer, subtracted from the mass.