Add To Collection
Add to Collection
Splatter Pavilion
Splatter Pavilion
180, St Kilda Rd, Melbourne, Australia
View Original
Add To Collection
Add to Collection
View Original
Add To Collection
Add to Collection
View Original
Add To Collection
Add to Collection
View Original
Add To Collection
Add to Collection
View Original
Add To Collection
Add to Collection
View Original
Add To Collection
Add to Collection
View Original
Add To Collection
Add to Collection
View Original
Add To Collection
Add to Collection
View Original
Add To Collection
Add to Collection
View Original
Add To Collection
Add to Collection
View Original
Add To Collection
Add to Collection
View Original
Add To Collection
Add to Collection
View Original
Add To Collection
Add to Collection
View Original
Add To Collection
Add to Collection
View Original
Add To Collection
Add to Collection
Other Projects by Nervegna Reed Architecture
Splatter Pavilion
180, St Kilda Rd, Melbourne, Australia
STATUS
Concept
SIZE
0 sqft - 1000 sqft
BUDGET
$100K - 500K
The Splatter Pavilion - shortlisted: NGV Architectural Commission Design Competition 2016
The Splatter Pavilion, proposed for the National Gallery of Victoria’s sculpture garden, explores some of the spatial and formal possibilities of a liquid architecture. The process for the design of the pavilion involved dripping liquid onto a surface, tracing the drips in Rhino, slicing the edge, mirroring the drip-surface and folding the surface around to create a self-supporting space with simple structural integrity. The folding of the pavilion allows for a simple yet effective structure surprising for a pavilion based on mirrored drips. The steel structure folds around and locks into a small concrete slab/footing below the ground. The cladding is powder-coated perforated aluminum. The rear curved wall has large arabesque openings to allow views through the garden and help wind loadings. These openings were created by cutting the drip specifically close to the edge, at the most irregular and varied point.
The pavilion is intended to interact with the sculptures in the NGV sculpture garden. E.H. Gombrich wrote that Alberti, in his book ‘De Statua’ hypothesized that the origins of art were most likely based in a common everyday experience in which early mankind projected images into the abstract shapes of nature, such as trees, branches and clouds. Leonardo wrote in a similar manner about stains and cloud formations. The images that cultures have projected into star formations predate Plato’s theory of representation by millennia. This idea became the background for the idea of a Splatter Pavilion, based on fluid abstract drips, positioned in a garden full of semi abstract sculptures. Significantly the pavilion is situated between Rodin’s ‘Balzac’ (1898), an icon of 19th century abstraction, and de Kooning’s ‘Standing Figure’ (1969), with its strong relation to abstract expressionism. Both sculptures work on a splatter-like sliding scale of abstraction and figuration, which the pavilion takes its cue from.
Engineer: Arup (Melbourne) Lighting: Arup (Melbourne)
The Splatter Pavilion, proposed for the National Gallery of Victoria’s sculpture garden, explores some of the spatial and formal possibilities of a liquid architecture. The process for the design of the pavilion involved dripping liquid onto a surface, tracing the drips in Rhino, slicing the edge, mirroring the drip-surface and folding the surface around to create a self-supporting space with simple structural integrity. The folding of the pavilion allows for a simple yet effective structure surprising for a pavilion based on mirrored drips. The steel structure folds around and locks into a small concrete slab/footing below the ground. The cladding is powder-coated perforated aluminum. The rear curved wall has large arabesque openings to allow views through the garden and help wind loadings. These openings were created by cutting the drip specifically close to the edge, at the most irregular and varied point.
The pavilion is intended to interact with the sculptures in the NGV sculpture garden. E.H. Gombrich wrote that Alberti, in his book ‘De Statua’ hypothesized that the origins of art were most likely based in a common everyday experience in which early mankind projected images into the abstract shapes of nature, such as trees, branches and clouds. Leonardo wrote in a similar manner about stains and cloud formations. The images that cultures have projected into star formations predate Plato’s theory of representation by millennia. This idea became the background for the idea of a Splatter Pavilion, based on fluid abstract drips, positioned in a garden full of semi abstract sculptures. Significantly the pavilion is situated between Rodin’s ‘Balzac’ (1898), an icon of 19th century abstraction, and de Kooning’s ‘Standing Figure’ (1969), with its strong relation to abstract expressionism. Both sculptures work on a splatter-like sliding scale of abstraction and figuration, which the pavilion takes its cue from.
Engineer: Arup (Melbourne) Lighting: Arup (Melbourne)
Product Spec Sheet
Were your products used?
Join as a manufacturer to add your products.