This installation is an investigation into the benefits and techniques of historical re-enactment through extrapolating techniques rather than style. This moment in theoretical architecture discourse coined by Charles Jencks as the moment “Modernism died” offers a way to examine the inescapable reference in which all architecture preceding are connected to modernism through their attempt to run from it. By utilizing the image of the famous explosion of C-15, the image becomes a frozen moment of time in which no agenda existed that can be used as a filter for all architecture. This filter, where an insanely heavy mass of material and ideology is supported and consumed by a soft ephemeral cloud, provides a fresh opportunity to create spaces that respond to shifting tension between soft and hard notions of discipline.