Referencing local precedents, the RomWoods house fuses modernist ideals with vernacular strategies and a linear plan in responding to its Ozark context.
Program Statement:
Situated on a two acre site at the edge of Fayetteville, this house for a UofA professor , his wife and two daughters utilizes a narrow, linear plan (24’) and an inverted roof truss to maximize the penetration of natural light to all areas of the house, public and private. Parallel transparencies at the front and rear of the main living space, which includes the living, dining and kitchen areas, extends the public realm to the bounding landscape along the south and north edges of the property. Recalling features of an Ozark dogtrot house, the operable glazing along the south and north walls open to create a breezeway, passively cooling the interior. The primary form of the house emulates local vernacular examples, combining two simple sheds, one over the garage and another over the interior living spaces and porches. The cladding system of the house, incorporating Hardiboard panels with horizontal galvanized metal battens, alludes to the board and batten systems employed in agricultural buildings of the area. A large south facing ‘light wall’ supports the inverted truss of the upper shed roof and serves as background for the articulated copper entry porch and canopy. In the evening this wall becomes a beacon, literally radiating internal activity, as registered by light, to the surrounding context.
The house sits in contrast to the typical subdivision stock of 12:12 pitch hip roofs in the immediately adjacent gated subdivision. This antithesis parallels the dichotomies found in this rapidly growing corner of the state, where dignified utilitarian buildings sit in weathered opposition to the ersatz historicism and faux status of recent market-driven construction.