In preparation for the centennial exhibition of Wou-ki Zao, the China Academy of Art has decided to undertake a comprehensive transformation of school’s twenty years old art museum. The original design of the museum's architecture does not comply with international standards for art venue, lacking the capacity to host world-class exhibitions. Specific issues include the absence of a dedicated opening ceremony space, inefficient circulation, outdated of temperature and humidity control system, no indoor unloading area, absence of public elevators, and fragmented exhibition spaces, lack of VIP rooms etc.
In response to these challenges, we have proposed a redesign based on the concept of "Aesthetic of the Song Dynasty, Simplicity in Grandeur." For the transformation of the entrance hall, our design integrates disparate elements into a cohesive whole, leaving ample "blank space" to transform it into a vessel of light. We have reorganized the previously scattered exhibition spaces, elongating the display lines. Apertures have been strategically placed at the corners of the second-floor double-height square hall, establishing visual connections with the outside world.
Through the extensive use of partition walls, we have concealed equipment pipelines, presenting the art museum in a remarkably absolute state. The overall design of the art museum is characterized by simplicity and restraint, exuding strength without losing its essence. It is poised to seamlessly showcase a diverse array of artworks from various eras and cultures, harmonizing with the aesthetic of the Song Dynasty and complementing the artistic vision of Wou-ki Zao.
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