Along the Morača River in Podgorica, a new museum district is redefining the relationship between architecture, landscape and public life. Designed by a-fact architecture factory, the project brings together the Museum of Contemporary Art, the Natural History Museum and a Park of Arts and Culture within a continuous spatial and ecological system.
At the heart of the proposal lies a simple yet radical idea: the museum becomes the park and the park becomes the museum. Rather than establishing a boundary between the built form and open space, the project dissolves it, allowing architecture and landscape to function as a unified cultural infrastructure. The result is an environment in which visitors move seamlessly between interior and exterior, exhibition and nature.
Three distinct yet interconnected volumes emerge from the riverbank, forming a recognisable civic landmark whilst maintaining a strong relationship with the ground. Their geometry is carefully calibrated to blend into the landscape rather than dominate it, creating a composition that is both iconic and rooted.
The project re-establishes a direct link between the city and the river, transforming the riverside into an active public destination and a new focal point of urban life.
The materiality reinforces this dialogue with the site. The stone cladding, inspired by Montenegro’s mountainous geography, defines a contemporary architectural language rooted in local identity. The buildings appear as extensions of the terrain, rising gently from the site and blending into the surrounding park, where the architecture becomes part of a wider environmental continuum.
The project reinterprets the roof as an extension of the landscape. The space at ground level is returned to the public in the form of a continuous, accessible surface where people can walk, pass through and linger. This raised deck offers panoramic views of the river and the city, whilst creating a new communal space where vegetation integrates the building into the natural environment and promotes local biodiversity.
The landscape strategy is based on an in-depth analysis of the existing site. A significant number of mature trees are preserved, whilst new plantings introduce a diverse and resilient ecosystem. Blue-green infrastructure enhances environmental performance by supporting water management, improving microclimatic conditions and contributing to carbon sequestration and air quality.
From a programmatic perspective, the district is conceived as a flexible cultural platform. In addition to exhibition spaces, it comprises research and educational facilities, informal meeting areas, a botanical garden and a large outdoor space for events. This mix of functions is designed to bring the site to life throughout the year, encouraging interaction, learning and cultural exchange among diverse audiences.
Sustainability is integrated at every scale of the project. Passive environmental strategies reduce energy requirements for heating, cooling and lighting, whilst the use of local materials and efficient construction systems helps to reduce emissions throughout the building’s lifecycle. The integration of ecological and architectural systems defines a holistic approach in which performance and experience are closely intertwined.
More than a cultural complex, the project proposes an evolving landscape in which architecture extends into nature and public space becomes the primary medium for collective life. In this vision, the museum is no longer a closed entity, but an open structure that connects people, the environment and culture in a shared spatial experience.