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Pingwu, Sichuan - Plum villa
Pingwu, Sichuan - Plum villa
Pingwu County, Mianyang, China
Project Featured on Sep 01, 2024
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Other Projects by Archermit
Pingwu, Sichuan - Plum villa
Pingwu County, Mianyang, China
Project Featured on Sep 01, 2024
Firm
Type
STATUS
Built
YEAR
2023
SIZE
10,000 sqft - 25,000 sqft
The design of Plum Villa attempts to use only the two simplest geometric prototypes, square and trapezoid, combined as the most common geometric “imagery embryo” in daily life – cuboids and quadrangular prism. These geometric forms and different scales correspond to various daily objects, such as utensils, furniture, buildings even urban.
Within a 3-meter cubic reference system, the two fundamental geometric elements of cuboids and quadrangular prism are restructured with the structural logic on “drying hearth”, “Qiang watchtower”, and “arched corridor”. By combining the imagery of courtyards and alleyways in Qiang settlements, there are connected courtyards with different sizes throughout the building, corridors with beautiful light and shadow, and a strong sense of order and geometric forms in the final presentation of the design. All of these create a small courtyard-style Qiang settlement under a modern context.
The building materials come from stone flakes and yellow soil commonly used by local. Due to strict construction cost, the stone flake walls are replaced by rough stone veneer, and the yellow mud walls are replaced by imitation rammed earth paint. Some wooden frame in the corridors and balconies are also inspired by the unique wooden structures in local buildings.
The landscape of western Sichuan is known for its magnificent mountains and rivers, vast sky local culture and customs. To bring more scenery into the building, the traditional small windows on Qiang residences are replaced with floor-to-ceiling glass doors and Windows, we expect to give more space back to nature rather than artificial decoration. Various functional areas are connected by courtyards and corridors in different thematic forms. Reception areas, dining spaces, tea rooms, and bars are interconnected through water courtyards and light-filled courtyards, creating a dynamic spatial hierarchy and an atmosphere for fun and leisure. The guest rooms, organized in “drying hearth” modular units, are separated by sets of semi-outdoor stairs and connected through “arched corridors”. These reinforce the sense of geometric order also provide unique corridor views. The flat roof extends the traditional Qiang habitude of using rooftops for leisure, offering a public platform for surrounded magnificent scenery. With a cup of tea or coffee, or have a drink with friends accompanied by birdsong, gentle breezes, and a starry sky, what a truly delightful experience.
The Plum Villa takes the two simplest geometric prototypes, square and trapezoid, from traditional Qiang dwellings, along with the three commonly used building materials of stone, clay, and wood, reshapes and redefines a building origins from Qiang ethnic dwelling under contemporary context that harmonizes with nature. Through a concise geometric language, it expresses the imagery of ancient Qiang dwellings.
Within a 3-meter cubic reference system, the two fundamental geometric elements of cuboids and quadrangular prism are restructured with the structural logic on “drying hearth”, “Qiang watchtower”, and “arched corridor”. By combining the imagery of courtyards and alleyways in Qiang settlements, there are connected courtyards with different sizes throughout the building, corridors with beautiful light and shadow, and a strong sense of order and geometric forms in the final presentation of the design. All of these create a small courtyard-style Qiang settlement under a modern context.
The building materials come from stone flakes and yellow soil commonly used by local. Due to strict construction cost, the stone flake walls are replaced by rough stone veneer, and the yellow mud walls are replaced by imitation rammed earth paint. Some wooden frame in the corridors and balconies are also inspired by the unique wooden structures in local buildings.
The landscape of western Sichuan is known for its magnificent mountains and rivers, vast sky local culture and customs. To bring more scenery into the building, the traditional small windows on Qiang residences are replaced with floor-to-ceiling glass doors and Windows, we expect to give more space back to nature rather than artificial decoration. Various functional areas are connected by courtyards and corridors in different thematic forms. Reception areas, dining spaces, tea rooms, and bars are interconnected through water courtyards and light-filled courtyards, creating a dynamic spatial hierarchy and an atmosphere for fun and leisure. The guest rooms, organized in “drying hearth” modular units, are separated by sets of semi-outdoor stairs and connected through “arched corridors”. These reinforce the sense of geometric order also provide unique corridor views. The flat roof extends the traditional Qiang habitude of using rooftops for leisure, offering a public platform for surrounded magnificent scenery. With a cup of tea or coffee, or have a drink with friends accompanied by birdsong, gentle breezes, and a starry sky, what a truly delightful experience.
The Plum Villa takes the two simplest geometric prototypes, square and trapezoid, from traditional Qiang dwellings, along with the three commonly used building materials of stone, clay, and wood, reshapes and redefines a building origins from Qiang ethnic dwelling under contemporary context that harmonizes with nature. Through a concise geometric language, it expresses the imagery of ancient Qiang dwellings.
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