Usually intended for the processes of negative development and photographic printing, here the red room, i.e. the dark room, is transposed with a perceptively broader purpose.
The raw, cold envelope of the concrete exhibition space, with obvious signs of time, is transformed into a communicator of sensations.
It, in turn, holds within it new elements, which constrain the paths and erect new spaces, contained but containing...
...light, sensation, works...
Contrasting surfaces; divergent colours; lights that recall something that permeates the half-light, structures that rise or fall... a dissimilarity that shares the same place, shapes it and gives form to the void, flowing into an installation that not only puts on display but also puts itself on show.
Photography that becomes an art form, the expression of a theme, that of thought, which is repeated among the twisted and angular corners of a container that is difficult but uniform in its complexity. The expression of three artists depicting what does not exist in two-dimensional matter, combined with a three-dimensional perceptual system that envelops and guides those trapped in it.
Three solutions to a problem that does not exist but exists, three thoughts that think and evolve with those who experience them.