The composition of museum music begins with a rigorous finding. This concerns the fact that the composition of which will be born will be placed at a point where the data is impressive. The data relating mainly to the powerful sea horizon and the imposing size of the mansion. The plot is more than an artificial 'platform' which has been artificially and any physical characteristics with which it could speak to the composition, and thus enhances anyway entoni flatness. In the above yp'opsin became clear from the early stages of the contact group on the matter, that any attempt by creating a new morphological approach in this environment were doomed to remain in the shadow of historical data. One solution that emerged from the data was the creation of another plate. A plate that would indicate the close relationship with the level of 'environment' which seems to birth. What separates it from the point of origin is an area which is to demonstrate the separation that ultimately determines. To fulfill the purpose of that room should be as neutral as possible so as not to lose the visual impression of the plate. The neutral site was chosen to host the museum. What emerged then from the beginning of the synthetic process was the search for an optical cluster light, which would result in an outbreak which would have a relationship interdependence as an element in the other states by dynamic relationship. The solution chosen was the suspension of all elements and levels of the building from the elevated slab. The various functions of the museum posted a distributed platforms, which are at different levels with each other, canceling the development of Stories, an ambiguity in this area, uncertain and visually confusing just below the clear outline of the plate. H impression suspension of the composition is trying to achieve through a visual "fraud". The static body composition which essentially deals with the columns and slabs is introduced as a form of suspension from the plate when in fact it is a form of support. This system follows the format support development of a tree. collaborator: Grigori Vegliri