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Near|Far House
Near|Far House
Aspen, CO, United States
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Near|Far House
Aspen, CO, United States
Type
STATUS
Built
YEAR
2017
SIZE
3000 sqft - 5000 sqft
BUDGET
$1M - 5M
Program: A 3,700 sq ft primary residence located on a 7,500 sq ft site. The program consists of four bedrooms and four and one-half baths arrayed on three levels for a young family in the Rocky Mountains.
Concept: A performance based, critical environmental engagement is seen as primary task of architecture of our time. Performance is measured not only as a quantifiable entity, as in pounds of CO2, but more inclusively, as a means by which architecture measures our daily lives. Sustainability broadened.
Architecture is situational. Better buildings have been able to extend their topographical reach, or be oriented beyond themselves. Buildings allow themselves to be understood as independent images and at other times, recede from prominence to accommodate other issues; they provide a mediating role between landscape and interior settings, engagement and negotiation with natural processes, and a basis for everyday life.
Buildings have the dual role of showing and serving, acknowledging and enriching existing conditions. Near|Far House involves itself in the ability, or counter-positioning of a structure, to acknowledge a specific matrix of landscape engagements. Architecture integrates a vicinity. Less an object than a series of configurations, each is a hinge or pivot in a matrix of engagements.
Modern Painting, especially early cubists, identified congruence in the juxtaposition of typical settings of dramatically different scale and proximity: table, bottle, newspaper, distant landscape, weather and daylight - that create, albeit abstract, a more whole or ‘thicker’ experience. A table, table setting, window, light and sound and shadows are mutually and reciprocally intertwined. Both Juan Gris and Louis Kahn's images, identifies architecture's ability to sharpen and focus the distant and near landscape and their inherent inseparability. They are collapsed in experience and as a consequence of the process of articulating construction.
Near|Far House allows the imprint of the landscape field to impress itself upon specific architectural configurations.
They include: East: Close stand of slender aspen trees. The punched windows isolate a field of individual trunks and mirror the typical views, shadows and daylight one receives in this natural setting. North: Red Butte rises 450 feet and encloses the site to the north. An upper clerestory roof is inflected to receive the profile of the butte, while glazing at the floor allows extension of the interior terrain into the landscaped front-yard ground plane. South: Windows|distant views exist through openings in ‘walls’ of mature foreground trees. South end of the house parallels the stream and is a single viewing platform|belvedere to both near wall of trees and distant mountain landmarks. Each orientation of Near|Far house is counter-positioned to create a specific engagement and reciprocity or contingency within the landscape field.
Concept: A performance based, critical environmental engagement is seen as primary task of architecture of our time. Performance is measured not only as a quantifiable entity, as in pounds of CO2, but more inclusively, as a means by which architecture measures our daily lives. Sustainability broadened.
Architecture is situational. Better buildings have been able to extend their topographical reach, or be oriented beyond themselves. Buildings allow themselves to be understood as independent images and at other times, recede from prominence to accommodate other issues; they provide a mediating role between landscape and interior settings, engagement and negotiation with natural processes, and a basis for everyday life.
Buildings have the dual role of showing and serving, acknowledging and enriching existing conditions. Near|Far House involves itself in the ability, or counter-positioning of a structure, to acknowledge a specific matrix of landscape engagements. Architecture integrates a vicinity. Less an object than a series of configurations, each is a hinge or pivot in a matrix of engagements.
Modern Painting, especially early cubists, identified congruence in the juxtaposition of typical settings of dramatically different scale and proximity: table, bottle, newspaper, distant landscape, weather and daylight - that create, albeit abstract, a more whole or ‘thicker’ experience. A table, table setting, window, light and sound and shadows are mutually and reciprocally intertwined. Both Juan Gris and Louis Kahn's images, identifies architecture's ability to sharpen and focus the distant and near landscape and their inherent inseparability. They are collapsed in experience and as a consequence of the process of articulating construction.
Near|Far House allows the imprint of the landscape field to impress itself upon specific architectural configurations.
They include: East: Close stand of slender aspen trees. The punched windows isolate a field of individual trunks and mirror the typical views, shadows and daylight one receives in this natural setting. North: Red Butte rises 450 feet and encloses the site to the north. An upper clerestory roof is inflected to receive the profile of the butte, while glazing at the floor allows extension of the interior terrain into the landscaped front-yard ground plane. South: Windows|distant views exist through openings in ‘walls’ of mature foreground trees. South end of the house parallels the stream and is a single viewing platform|belvedere to both near wall of trees and distant mountain landmarks. Each orientation of Near|Far house is counter-positioned to create a specific engagement and reciprocity or contingency within the landscape field.
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