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MASK HOUSE
MASK HOUSE
Japan
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MASK HOUSE
Japan
Firm
Type
STATUS
Built
YEAR
2017
SIZE
1000 sqft - 3000 sqft
The site is along the small river, crossing the bridge from the road. It is a unique site with a wild taste which distinguishes the site which is neatly divided like a housing complex. It is not summarized in white or black, and the brick and the terrace are used to harmonize with a unique site by using a rustic H-type steel, and it finished in the stately building as if it had been there for a long time.
The terrace along the waterway is made by floating the floor with H-type steel, and the boundary with the site is vague and the surrounding environment is taken.
It is a plan which opens greatly to the east with the river, and can migrate mainly in the courtyard. Enough sunlight can be secured from the morning until the day leans, and there are few losses of the movement line. In addition, in contact with the next storage, it was put out in the corridor of the West, which was originally scheduled to not set the opening for heat barrier, to eliminate the dead space of the room facing the courtyard, devised to be able to utilize the three surfaces of the wall to the fullest.
Architects: Kazuo Monnai, Hirokazu Ohara, Dai Tsunenobu, Kazuya Masui
コンセプト
敷地は小川沿いで、道路から橋を渡って進入する。住宅団地のように綺麗に区画された敷地とは一線を画す、野性味のある独特な敷地。白や黒でまとめず、レンガや、テラスを無骨なH型鋼を用いることで個性的な敷地との調和をはかり、まるで昔からそこにあったかのような風格のある建物に仕上がった。
水路沿いのテラスをH型鋼で床を浮かせた事で敷地との境界を曖昧にし周辺環境をを取り込んでいる。
川のある東に大きく開き、中庭を中心に回遊できるプラン。朝から日が傾くまで十分な採光が確保でき、動線のロスも少ない。また収納を隣地に接し、遮熱のためにも元々開口を設けない予定であった西側の廊下に出したことで、中庭に面した部屋のデッドスペースを無くし、壁の3面を最大限に活用出来るよう工夫を施した。
The terrace along the waterway is made by floating the floor with H-type steel, and the boundary with the site is vague and the surrounding environment is taken.
It is a plan which opens greatly to the east with the river, and can migrate mainly in the courtyard. Enough sunlight can be secured from the morning until the day leans, and there are few losses of the movement line. In addition, in contact with the next storage, it was put out in the corridor of the West, which was originally scheduled to not set the opening for heat barrier, to eliminate the dead space of the room facing the courtyard, devised to be able to utilize the three surfaces of the wall to the fullest.
Architects: Kazuo Monnai, Hirokazu Ohara, Dai Tsunenobu, Kazuya Masui
コンセプト
敷地は小川沿いで、道路から橋を渡って進入する。住宅団地のように綺麗に区画された敷地とは一線を画す、野性味のある独特な敷地。白や黒でまとめず、レンガや、テラスを無骨なH型鋼を用いることで個性的な敷地との調和をはかり、まるで昔からそこにあったかのような風格のある建物に仕上がった。
水路沿いのテラスをH型鋼で床を浮かせた事で敷地との境界を曖昧にし周辺環境をを取り込んでいる。
川のある東に大きく開き、中庭を中心に回遊できるプラン。朝から日が傾くまで十分な採光が確保でき、動線のロスも少ない。また収納を隣地に接し、遮熱のためにも元々開口を設けない予定であった西側の廊下に出したことで、中庭に面した部屋のデッドスペースを無くし、壁の3面を最大限に活用出来るよう工夫を施した。
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