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Marlboro Music: Five Cottages
Marlboro Music: Five Cottages
Marlboro, VT, United States
Finalist, 2015 A+Awards, Residential - Private House (M 1000-3000 sq ft)
Project Featured on Mar 18, 2015
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Other Projects by HGA
Marlboro Music: Five Cottages
Marlboro, VT, United States
Finalist, 2015 A+Awards, Residential - Private House (M 1000-3000 sq ft)
Project Featured on Mar 18, 2015
Firm
Type
STATUS
Built
YEAR
2014
SIZE
1000 sqft - 3000 sqft
BUDGET
$1M - 5M
Since 1951, generations of the world’s most talented classical musicians have come together to participate in Marlboro Music, a seven-week summer festival where young musicians collaborate alongside master artists in an environment removed from the pressures of performance. Located on the tiny campus of Marlboro College in the foothills of Vermont’s Green Mountains, Marlboro Music encompasses not just music but a whole communal way of living where musicians, staff, their spouses and children share meals, seminars, chores and social events, creating a unique musical community. The New Yorker magazine calls Marlboro Music “the classical world’s most coveted retreat” and participants have included such celebrated musicians as cellists Yo-Yo Ma and Pablo Casals, pianist Emanuel Ax and violinist Joshua Bell.
Precedent
With a shortage of residential space for senior musicians, Marlboro Music developed plans for five new Cottages on a 15-acre site adjacent to the College. The design was inspired by a Cape Cod cottage, a 400-year old typology derived from 17th century English settler’s dwellings in New England and the primary inspiration for Marlboro College’s centuries-old farm buildings. Born of necessity with an aesthetic of restraint, this simple gabled form is closely tied to Marlboro’s identity and became the design template for the project. The Cottage’s small footprints, sloped roofs, compact volumes and indigenous materials reinforce Marlboro Music’s place amidst the lush Vermont landscape of rolling hills and streams.
Design Intent
Rather than mimic the Cape’s ubiquitous white clapboard, each Cottage is clad in red cedar siding to blend into the woodland site. On the inside, while traditional Capes were dark, introverted spaces, the new Cottages invert this paradigm with large windows that frame views of the forest and fill each room with abundant daylight. Operable windows combined with overhead ceiling fans eliminate the need for air conditioning, allowing fresh summer breezes inside. Spatially, what would have been traditionally 7 foot-high ceilings opens up to a gabled form, adding volume to the small spaces and providing an acoustically tuned space for playing music. And locally-sourced white pine walls/ceilings and Vermont slate floors with in-floor radiant heat make up a simple and durable palette of natural materials inside.
The new Cottages preserve the bucolic nature of the surrounding area while being responsive to the needs of the musicians and 21st century life. Arranged around meandering 150-year old stone site walls, each cottage is oriented to minimize site disturbance, take advantage of forest and wetland views, and maximize daylight. An old logging road was repurposed to access each cottage, and all storm water is managed on site through swales and a water retention basin. New native plant species require no irrigation and little maintenance; over time, the forest will continue to grow up around the cottages, blending the forms seamlessly into the natural landscape.
Marlboro Music is a place of great humility, generosity and modesty. For each cottage, the root of this modesty comes from its physical and spiritual form: humble dwellings constructed of common materials that are filled with light, the sounds of music and the beauty of their surroundings.
Precedent
With a shortage of residential space for senior musicians, Marlboro Music developed plans for five new Cottages on a 15-acre site adjacent to the College. The design was inspired by a Cape Cod cottage, a 400-year old typology derived from 17th century English settler’s dwellings in New England and the primary inspiration for Marlboro College’s centuries-old farm buildings. Born of necessity with an aesthetic of restraint, this simple gabled form is closely tied to Marlboro’s identity and became the design template for the project. The Cottage’s small footprints, sloped roofs, compact volumes and indigenous materials reinforce Marlboro Music’s place amidst the lush Vermont landscape of rolling hills and streams.
Design Intent
Rather than mimic the Cape’s ubiquitous white clapboard, each Cottage is clad in red cedar siding to blend into the woodland site. On the inside, while traditional Capes were dark, introverted spaces, the new Cottages invert this paradigm with large windows that frame views of the forest and fill each room with abundant daylight. Operable windows combined with overhead ceiling fans eliminate the need for air conditioning, allowing fresh summer breezes inside. Spatially, what would have been traditionally 7 foot-high ceilings opens up to a gabled form, adding volume to the small spaces and providing an acoustically tuned space for playing music. And locally-sourced white pine walls/ceilings and Vermont slate floors with in-floor radiant heat make up a simple and durable palette of natural materials inside.
The new Cottages preserve the bucolic nature of the surrounding area while being responsive to the needs of the musicians and 21st century life. Arranged around meandering 150-year old stone site walls, each cottage is oriented to minimize site disturbance, take advantage of forest and wetland views, and maximize daylight. An old logging road was repurposed to access each cottage, and all storm water is managed on site through swales and a water retention basin. New native plant species require no irrigation and little maintenance; over time, the forest will continue to grow up around the cottages, blending the forms seamlessly into the natural landscape.
Marlboro Music is a place of great humility, generosity and modesty. For each cottage, the root of this modesty comes from its physical and spiritual form: humble dwellings constructed of common materials that are filled with light, the sounds of music and the beauty of their surroundings.
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