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LABIBU
LABIBU
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LABIBU
Type
"LABiBU" : a garden of interferences, a landscape in motion
Thematic like artificial, natural, sustainable ecology and experience are the starting points of this "arranged garden". The observer enters a visual maze in which the authentic and inauthentic meet.
A "kinetic" study that tries to stimulate in the observer the illusion of movement and constant vibration of the environment (moiré effect). We are in the garden of interferences where every perspective is disturbed by its surroundings.
The material: bamboo canes, prodigious and giant grass
The idea is to use ecologically sustainable materials that are abundantly available. Altered matter forms the limit between nature and artifice, seen as hybrids. The totally artificial nature is forced to represent its own scenography just like the wildest nature. The plan turns nature into geometry using a network of reference points and altimetry variations controlled by a parametric process.
From an adjacent weak density to a mass a diagonal of red gravel introduces the artifice of a red optical maze. A "fIaner" begins in this maze in which nature is disguised and artifice takes over. Night, in an atmosphere deformed by light and shapes, is perceived in a space as though it were part of an image of itself. Space causes its own unusual behaviour. In a "non path, motion and vibration continue until, as with all mazes, it is often necessary to start over again.
Thematic like artificial, natural, sustainable ecology and experience are the starting points of this "arranged garden". The observer enters a visual maze in which the authentic and inauthentic meet.
A "kinetic" study that tries to stimulate in the observer the illusion of movement and constant vibration of the environment (moiré effect). We are in the garden of interferences where every perspective is disturbed by its surroundings.
The material: bamboo canes, prodigious and giant grass
The idea is to use ecologically sustainable materials that are abundantly available. Altered matter forms the limit between nature and artifice, seen as hybrids. The totally artificial nature is forced to represent its own scenography just like the wildest nature. The plan turns nature into geometry using a network of reference points and altimetry variations controlled by a parametric process.
From an adjacent weak density to a mass a diagonal of red gravel introduces the artifice of a red optical maze. A "fIaner" begins in this maze in which nature is disguised and artifice takes over. Night, in an atmosphere deformed by light and shapes, is perceived in a space as though it were part of an image of itself. Space causes its own unusual behaviour. In a "non path, motion and vibration continue until, as with all mazes, it is often necessary to start over again.
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