Just one hour south of Mexico City, the town of Tepoztlán is located within a valley with a pleasant, temperate climate and nestled within three rock formations, including El Tepozteco. These geographic and climatic conditions produce constant and abundant vegetation; it brims with a diversity of flora, and shelters both mountain and subtropical species within the same space.
Visitors who explore the town find a unique and unrepeatable experience filled with hidden mystical and spiritual corners, a mixture of traditional and vernacular architecture and narrow cobblestone streets with low facades. Its building materials, including clay, wood, tile, stone and whitewashed walls form a constant palette and its inhabitants, food, handicrafts, and landscapes have transformed it into an icon of charm and mystery, resulting in its designation as a Pueblo Mágico (Magical Town).
Tepoztlán is a place that is lived inwardly; its secrets are discovered within its patios and gardens, and inside its buildings. The beauty of its street facades is rooted in their sobriety and serenity, actively inviting the viewer to enter. With this intention, the home’s exterior is sober and serene, in silent respect for its environment, and it preserves its magic and mystery for those who enter within.
The decision to build a weekend home in Tepoztlán reflects the sensitivity that the clients desire for their quiet moments and their empathy toward the town. They seek belonging, not only to be able to disconnect from the city, but also because the architectural character of the town is reflected within their home. Currently a weekend residence for both the couple and their children, in the future it will become a retirement home. The areas must therefore satisfy a wide range of uses and be strategically arranged so as not to interrupt or limit other activities. As a result, the programmatic boundaries generated at the perimeter by staple walls are blurred, allowing the inhabitants to periodically modify the space as the number of occupants and needs vary.
La Hacienda Jardín reflects on the typology of the weekend house and the specificities it requires in a given context by reinterpreting the concept of the hacienda. The architectural program questions the area’s predominant practice of first fencing off a property and then inserting a building and landscaping the rest. This project does the opposite; it becomes a roofed wall open to the elements that contains a garden of endemic vegetation in its center. In this way, the large courtyard becomes the diaphragm that regulates the interactions, deconstructing the hermetic division between public and private spaces.
The materials create a direct dialogue with the site, the land, the climate and the landscape. The perimeter wall of Texcal volcanic stone contains and shelters all of the built spaces. The main structure uses Durango pine, which becomes the principal interior material used for the beams and poles; huanacaxtle wood is used in the latticework and finishes. The terracotta tile floors, tile roof and brick and chukum walls create a chromatic palette that responds with sensitivity to the specific use of each area.
The home contains both active and passive solutions in terms of sustainability. On the one hand, the project features electrical systems that draw on solar panels and heaters, drainage with a controlled septic tank, irrigation from water catchment systems and natural absorption wells. On the other hand, it curates the entry and control of natural light and ventilation to all of its spaces, while the vegetation helps maintain a stable internal environment, providing a pleasant microclimate.
La Hacienda Jardín offers a classic Mexican space, reinterpreted in a modern role that combines form and function in a contextual dialogue. The house manifests the posture that is taken toward the act of dwelling. In an area where cell phone service is very low, electricity is intermittent and water is scarce during the dry season, the project emphasizes and fosters the accessibility of what has always been there; the mountain, nature and calm, experienced through its landscapes, layout, materials and programmatic boundaries.