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incerto/possibile
incerto/possibile
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incerto/possibile
Type
incerto/possibile is not simply an installation but a pretext to provoke springing from a work of art. This project raises the question of the relationship between space and sound proposing a sound of space i.e. music whose architectural structure has the same roots of identity as an architectural space. Like an Oteiza sculpture, it is a structure which is permeable, receptive, an out and out resonator which relates to its surrounding environment. The interaction is two-fold: on one hand as regards the structure for what it is within the space, like a part of an everything. On the other hand it has a dialectic relationship with the listener/viewer flexing itself according to the pathway choices made. Said creative dynamic follows the idea of a work of art as the place of the opening of the senses.
incerto/possible is the location of experience which is "multiple" where reality and the sense of possibility melt into an inseparable unicum. In this manner the emptiness collects fragments of other thoughts, possible universes, faraway sounds. Traces of the constellations suspended inside create a concave-convex space which multiplies the acoustic planes amplifying the listening possibilities. For the listener-spectator, depending on the pathway chosen, different acoustic solutions present themselves with a view to unveiling and discovery. In common, the idea of circularity and therefore, ideally, of the inexistence of a beginning and an end.
incerto/possible is the location of experience which is "multiple" where reality and the sense of possibility melt into an inseparable unicum. In this manner the emptiness collects fragments of other thoughts, possible universes, faraway sounds. Traces of the constellations suspended inside create a concave-convex space which multiplies the acoustic planes amplifying the listening possibilities. For the listener-spectator, depending on the pathway chosen, different acoustic solutions present themselves with a view to unveiling and discovery. In common, the idea of circularity and therefore, ideally, of the inexistence of a beginning and an end.
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