THE DYNAMICAL ELEVATIONS :
THE VALUES THAT WERE APPRECIATED BY THE DESIGN WOULD BE IN ASCENDING ORDER: 1) THE DYNAMICALITY , THE PERCEPTION OF THE FACADE SHOULDN’T BE STATIC BUT RATHER DYNAMIC THAT CHANGES FROM LOCATION TO LOCATION, HOLDS VITAL CHANGING MEANINGS. THE COHERENCE NEEDED ULTIMATELY CAN BE ACHIEVED BY USING A SIMPLE IDEA AS THE CONCENTRIC FORMS. 2) THE FAÇADE AS MEANING: THE FAÇADE IS ACTUALLY A VALUE THAT DEPENDS ON THE USERS OR THE PEOPLE INTERACTING WITH, IT FRAMES THE ACTIVITIES AND WORKS FOR IT.
3) THE MEMORIES OF THE OLD FORM TO BE PRESERVED: THE OLD CINEMA DESIGN AND IT'S EFFECT WAS PRESERVED AND REFLECTED IN THE DESIGN. THIS WAS ACHIEVED BY ABSTRACTING THE OLD DESIGN TO THE CLARITY AND THE LINES THAT DOMINATED its OLD DESIGN. THE NATURE OF THE OLD LINES WAS REPLICATED AT THE NEW FORMS AND THE CLARITY WAS GIVEN NEW MEANINGS TOO.
THE ASSUMPTION:IT WAS ASSUMED THAT COLLECTING DIFFERENT PIECES OF THE WAVE WOULDGUARANTEE THE FLUIDITY AND THE VARRIATION OF THE DIFFERENT POSITIONS OF THE USER INTERACTING WITHE HTHE FACADE.
THIS CENTRALITY IDEA WOULD GUARANTY THE COHERENCE NEEDED FOR THE DYNAMIC VIEWS AND WOULD GIVE THE BUILDING THE STRENGTH ITS LOCATION REQUIRES.
OTHER VALUES THAT WAS APPRECIATED BY THE DESIGN WAS: -THE CONNECTED VIEWS:THE VIEW OF THE SQUARE AND THE SURROUNDING BUILDINGS WAS EMBRACED AND HIGHLIGHTED BY THE BUILDING OPENINGS. ( YOU ARE AT RUSSIA) -NATURAL LIGHTING:THE NATURAL LIGHTING WAS PERMITTED TO PENETRATE THE MASS VASTLY WHICH GIVES THE SPACIOUS EFFECT ON THE NARROW INTERIOR AND GIVES THE OPENNESS TO THE SURROUNDING ENVIRONMENT.
