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Gone With the Winds
Gone With the Winds
Shenzhen, China
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Gone With the Winds
Shenzhen, China
The space intends to be exploring oriental poetic aesthetics in a modern space in favor of the idea of “going with the wind”. General style of the architecture is a large gray-tone foundation being clad with grating composed of four materials, and four types of timber, as a whole, form a well-arranged spatial sequence by means of multi-level superposition and undulation in different sizes. It’s exactly such shading effect in oriental ink painting bring a touch of shadowy and tranquil beauty beauty in the whole space. Behind seemingly simple visual form is plenty of visual variations, a way in which implicit quality of beauty in oriental philosophy is expressed. With such tactical simplification, the whole space is treated for simplicity and full of variation, moreover, maximized landscapes beyond architecture form perfect echo and saturation, in such way of treatment, the architecture awakens our continuous thinking in visual and emotional interaction from inside out and vise versa, integration of sympathy with surrounding is also an essential state of oriental aesthetic ideology, which is starting point and spiritual threshold in modern design. For this reason, all visions from the modern space in visual form should come into full form by mutual perception of inside and outside, and which is imperfect from a visual perspective should any factor being dismissed. Only bases on this foundation is the surface of wood having ink shading effect meaningful, emanating abundant shadowy beauty and poetry. The look comes from heart, only cannily design brings out good look, so modern technique is employed in an attempt of recalling traditional Chinese practice of looking into a space like this. Feeling, space, interior and exterior, and everything. Thus, feeling comes before look, and nothing comes into our eyes in case of no feeling, let alone poetry.
This abstract space of oriental poetry embodies graceful beauty in the air, complex structure is in tranquil and simple vision, the peaceful space embraces mixed fading feeling, as if a breeze blowing through the whole space. The fit of emotions, after passing through the whole space, goes off with the wind.
This abstract space of oriental poetry embodies graceful beauty in the air, complex structure is in tranquil and simple vision, the peaceful space embraces mixed fading feeling, as if a breeze blowing through the whole space. The fit of emotions, after passing through the whole space, goes off with the wind.
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