The
principles that prevail in the renovation of the new Cinema are inspired of the
laws and mechanisms that are at the origin of the foundation of the modern art
of cinema; the Pushkin Square is considered as a focus point, and the screen as
the reference point of a new movie centring: a new shape is emerging, combining
the vision focus angle and a geometric surface symbolizing the rectangle of the
movie screen… We propose to dress the volume with an external skin, which is
the evocation of a progressive clarification by the way of “pixelisation”…