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Farmer's Daughter Hotel
Farmer's Daughter Hotel
115, South Fairfax Avenue, Los Angeles, CA, United States
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View Original
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View Original
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View Original
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Farmer's Daughter Hotel
115, South Fairfax Avenue, Los Angeles, CA, United States
As Los Angeles’ density increases, the fabric of the city
moves to adjust, sometimes one project at a time. Such is the transition of this beloved L.A. icon from sixties
motel to quirky modern hotel. In
addition to remodeling 66 rooms, a new lobby and exterior courtyard were added
by removing existing parking spaces not needed in this increasingly pedestrian
neighborhood.
A giant “quilt” pattern unfolds throughout the courtyard
and lobby and helps unify the indoor/outdoor spaces. Even the landscape takes
on its own “L.A.” flavor featuring palm, orange, and lemon trees. In the end,
the resulting project adapts to its changed environment by engaging the street,
responding to it, and enhancing it; all with a self-stylized, country take on
an increasingly urban setting. Rural
themes were explored and “turned inside out” throughout the project. Capitalizing on this are the witty “gingham”
pattern wall print and real barn wood materials. Used as an organizational principal, the country “shadow box,”
where everyday objects become special when placed inside a frame, change size
and scale as the appear in different forms throughout the project; thus
encouraging the participants to become part of the architectural experience.
moves to adjust, sometimes one project at a time. Such is the transition of this beloved L.A. icon from sixties
motel to quirky modern hotel. In
addition to remodeling 66 rooms, a new lobby and exterior courtyard were added
by removing existing parking spaces not needed in this increasingly pedestrian
neighborhood.
A giant “quilt” pattern unfolds throughout the courtyard
and lobby and helps unify the indoor/outdoor spaces. Even the landscape takes
on its own “L.A.” flavor featuring palm, orange, and lemon trees. In the end,
the resulting project adapts to its changed environment by engaging the street,
responding to it, and enhancing it; all with a self-stylized, country take on
an increasingly urban setting. Rural
themes were explored and “turned inside out” throughout the project. Capitalizing on this are the witty “gingham”
pattern wall print and real barn wood materials. Used as an organizational principal, the country “shadow box,”
where everyday objects become special when placed inside a frame, change size
and scale as the appear in different forms throughout the project; thus
encouraging the participants to become part of the architectural experience.
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