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Based on the development of a personal understanding of the aesthetic sensibility of Extravagance, the project for a new botanical gardens in Moscow uses coherence in excess as a principle that operates on multiple levels.Amongst a series of drastically different spaces, continuity is introduced through the use of a the line as an individual physical element, a voided seam in a continuous surface, and a singular element of a surficial network of lines.The use of a datum allows for the registry of changes that occur in ones procession through the spaces, in terms of standard geometrical forms which become manipulated, and the constant colouration of the white concrete shell against which a gradually shifting palette of coloured interior elements contrast, evoking the same spirit set forth by the external formal landscapes whose formal organization becomes influenced by the organization of the building on the site.