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Deutsches Hygiene-Museum Dresden
Deutsches Hygiene-Museum Dresden
1, Lingner Square, Altstadt, Dresden, Germany
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View Original
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View Original
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View Original
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Add to Collection
View Original
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View Original
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Other Projects by Gourdin & Müller
Deutsches Hygiene-Museum Dresden
1, Lingner Square, Altstadt, Dresden, Germany
ContextSince its founding, the Deutsches Hygiene-Museum Dresden has enjoyed the status of one of the most unusual cultural and scientific estab-
lishments in the world. Erected by Wilhelm Kreis in 1930 on the occasion of the IInd International Hygiene Exhibition, the building is a cultural monument and contemporary witness to the outgoing First German Republic and age of modernity. Its peculiarity lies primarily in its cubature and the symmetrical layout of its rooms.Design concept
Signposts and location confirmations comprise the alignment of the information in German, English and French. Without the use of backing material, the inscriptions are applied directly to the walls following the course of the rooms themselves. The lightness and red colour are a reaction to the architectural severity.
Pictogramsystem
Specially developed pictograms reinforce this form of intervention, serving to highlight the conceptualisation of the institution as a »museum of the people«.
lishments in the world. Erected by Wilhelm Kreis in 1930 on the occasion of the IInd International Hygiene Exhibition, the building is a cultural monument and contemporary witness to the outgoing First German Republic and age of modernity. Its peculiarity lies primarily in its cubature and the symmetrical layout of its rooms.Design concept
Signposts and location confirmations comprise the alignment of the information in German, English and French. Without the use of backing material, the inscriptions are applied directly to the walls following the course of the rooms themselves. The lightness and red colour are a reaction to the architectural severity.
Pictogramsystem
Specially developed pictograms reinforce this form of intervention, serving to highlight the conceptualisation of the institution as a »museum of the people«.
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