The ambiguity that gives the landscape, the sound of the stones of the mountain, the melting of the ice, the sound of the breeze, the light, the vegetation. They are present in each part of the spirit of the building.
It is not to build in the mountain but building with the mountain, as if a mountain fragment came rolling from the hillside, in direction of the city, just as the meaning in Persian of Teheran - going downwards.
The building takes position in the place emphasizing the values of the landscape, as if it resulted of the cracks that the water originates when sliding for the mountain, in the search of flows and provoking emptiness; creating openings, light entrances and circulations that alter the perception of the spaces in their qualities. The kindness of the all is emphasized through these mechanisms.
The expression of the spaces and exaltation of the senses, where everything is related with the landscape (conformed or for drawn), seeking a magic connection with the nature. Always with an abstraction attitude, that is an exaltation of the essential to intensify the knowledge.