The events of recent years teach us that peace is a lull between war and another, so in times of relative peace plans for a memorial for the fallen of past wars as well as being highly topical, has become a We believe that warning to the human race, because in future there are no more wars. Project 57 before being a worthy and eternal burial for the 57 war dead of Pietra de Giorgi, wants to be that. The space between the cemetery of Castagnaro and its forecast of growth is in our opinion an ideal scope for the construction of a place of contemplation is in fact also in view of the horizon of his liberty and his privacy as measured from the adjacent state that our project has found its spatial orientation. Exploiting the full dimensions of the lot which are 25.40 × 13.60 ml, takiing good the predictions for the expansion of the cemetery, we have entered in the rectangle floor plan given to us, half a square-based pyramid upside down, leaning and centered with the greater side to the boundary wall of the expansion of the cemetery, giving the remaining space, the function of path through the erection of a large monumental staircase. The analysis of the elevations derived from the plans attached to the notice suggested us to smooth out uneven natural but rather trying to emphasize this complication in an evocative and prompter of meanings that can integrate the work space at a time. We have thus established for the four main dimensions Shrine, seen our share zero, corresponding to - 4 ml from the cemetery expansion levels, corresponding to a share of 2.3 ml pianerotollo landing of the first flight, a share of approximately 4 ml that the aforesaid expansion, 7ml, and a portion which is to cover. The access roads to the shrine are mainly two: the first is tangential to the new boundary determined by the Shrine, and by the associated expansion of the cemetery and the road linking the area in front of the monumental staircase to the first flight. The second is at the present western boundary of the old cemetery, between the shrine and the lot is intended to expand, in proportion with the latter and at the last ramp of the landing where the route begins inside the pyramid. As the description of our project from the first of these inputs where ideally we hypothesized that the journey begins, here are our visitor will encounter a large monumental staircase consists of two ramps approximately triangular shape, perpendicular to each other for that wrap around the jump in share beveled sides by supporting the geometry of the pyramid, ramps, steps are large with treads of 80 cm each. Once this phase is upward, the last landing ramp, the visitor will be under the large area covered by the pyramid (17.90 × 17.90 ml) where we have placed the chapel itself, where a perimeter path was marked by the boundary internal septa suggestive of a rhythmic sequence of columns of ancient temples, and all 'From the wide outer clear view of the surrounding landscape covered by sitting still and offer the complete absence of support for that side of the shelter roof. Finally there is a path to the innermost terminal, designed as a real court, invested with the natural light of a triangular eye open to the sky to the west and bounded by a sector of about 5 ml where possible to include a dedication to the fallen and to the east of 10 septa each containing all long thei height, 6 ossuaries coated bronze elected to receive the sacred remains of 57 dead. Needless to say, the line that led the drafting of this idea of design is highly symbolic and aimed at creating a kind of sensory journey and charming, able to engage and inspire visitors, as well as in intimate emotion in terms of absolute memory lesson and a place dedicated to the memory must inspire. In this sense, are motivation, evocative architectural elements used, namely: the monumental staircase, the pyramid upside down and the perimeter columns to the court of the Shrine that go back to the archetypes of celebration. The meaning of the symbol is then his explanation, so the staircase is the emulation of the path of sacrifice of the fallen, the pyramid is the enduring memory of their heroism stuck firmly in the land of our country and the colonnade, shrine of their remains, wordly support of the cover for shelter, is eternal support of that portion of history which is the foundation of our civilization. From a purely technical point of view we can say that structures are designed in reinforced concrete, the floors in brick and concrete in situ, while the coverage in view of the significant changes we have opted for a light structure made of iron lattice . All the steps and inside of the shrine are paved and lined with natural stone "Travertine" with the exception of the colonnade that is left exposed concrete with the elements of the ossuaries made of bronze. The entire outer surface of the pyramid is built on a "skin" aluminum panels anchored to a rack.