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CHURCH IN TUSHINO
CHURCH IN TUSHINO
71, Volokolamskoye shosse, Moskva, Russia
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Other Projects by QPRO
CHURCH IN TUSHINO
71, Volokolamskoye shosse, Moskva, Russia
Firm
STATUS
Built
YEAR
2023
The site allocated for the construction of the museum and temple center is located along the designed passage between the Tushino 2018 residential area and the Moskva River embankment..
The volumetric-spatial composition of the temple is based on a combination of the stylobate part, planned to house a Sunday school, and a multi-stage single-domed volume. The architecture of the complex refers to the traditions of Vladimir-Suzdal architecture, forming an ensemble with a memorable silhouette along the Moscow River.
LIGHTING DESIGN SOLUTION
A distinctive feature of the white stone church of Equal-to-the-Apostles Grand Duke Vladimir is the facade with textured floral patterns, thanks to which classical architecture acquired a new modern look. The belfry, which stands alone on the premises, is with the same finishing. The cultural and exhibition center, which is part of the temple complex, complements the architectural ensemble with an equally interesting facade design with rectangular inserts with bas-relief.
The concept of the lighting design solution is based on the idea of creating a special image of the building in the dark: to form an emotional perception of the sacred through the external appearance, emphasizing with the help of light the purity and lightness of the architectural solution. So, it was decided, with the help of architectural lighting, to create an image of a building seemingly hovering above the ground, with its snow-white facade, bathed in golden rays, directed high above the dark ground.
The tent-type temple has a strict centrality of the plan, elongated vertical proportions and clear symmetry: from whichever of the four sides a person approaches, it will look the same to everyone (except for some elements of decoration). This idea of equality and accessibility for all people, from wherever they go to the temple and to God, carries a special symbolism. The first thing that meets a person on the way to the temple is the stairs and porch. For this reason, functional and dim lighting was provided for the entrance group to allow safe access to the gulch level.
The stylobate part itself (basement) decorated with gray slabs, was decided not to highlight with lighting. At dusk, this part appears even darker in contrast to the upper, illuminated tiers of white, and it seems as if the building is raised above the ground. This technique makes the building “sublime” above everything mundane, but at the same time maintains the connection between earth and sky through the lighting of the entrance area.
The tier of the walkway is surrounded by a mosaic panel (altar part). A unique “gallery” dedicated to the thousand-year history of Christianity in Russia is visible both from the adjacent territory of the temple and is available for immediate consideration from the walkway. The mosaic panels are recessed into the arcature belt and each of them is illuminated by linear luminaries built into the floor. In the dark, it seems as if the mosaic comes to life, shimmering with different shades and gold. Thanks to the optics of the lighting devices, the light highlights the plane of the mosaic panel and the edges of the archature frieze, slightly emphasizing the vertical of the tier with grazing light.
The main volumes of the building are formed by curtain walls with zakomars and kokoshniks. To illuminate these vertical planes, floodlights of different power were chosen, in accordance with the size of each tier. Thanks to the combination of illuminated planes and shadows, the building retains visual volume in the dark and does not seem flat. For the snow-white facade of the temple, were chosen luminaries with a neutral white color temperature 4000 K. They emphasize the white shade of the decoration best of all, as well as the reflective elements of the mosaic, the decorative design of the portals and the gold of the dome.
There is a round square with a walking area around the Church of Equal-to-the-Apostles Grand Duke Vladimir. In the evening, minimalist led lighting poles provide a required level of illumination for comfortable movement around the temple. There is a landscaped square with greenery and places for recreation for citizens between the temple and the cultural and exhibition center. Here, the main transit routes are also illuminated by luminaries on poles with warm white light, while in the center of this park area, where the benches are located, there are no lighting fixtures, leaving vacationers in a more intimate, secluded atmosphere.
Architect: СПИЧ / SPEECH
Lighting design: QPRO
Photo: Marika Volkova
The volumetric-spatial composition of the temple is based on a combination of the stylobate part, planned to house a Sunday school, and a multi-stage single-domed volume. The architecture of the complex refers to the traditions of Vladimir-Suzdal architecture, forming an ensemble with a memorable silhouette along the Moscow River.
LIGHTING DESIGN SOLUTION
A distinctive feature of the white stone church of Equal-to-the-Apostles Grand Duke Vladimir is the facade with textured floral patterns, thanks to which classical architecture acquired a new modern look. The belfry, which stands alone on the premises, is with the same finishing. The cultural and exhibition center, which is part of the temple complex, complements the architectural ensemble with an equally interesting facade design with rectangular inserts with bas-relief.
The concept of the lighting design solution is based on the idea of creating a special image of the building in the dark: to form an emotional perception of the sacred through the external appearance, emphasizing with the help of light the purity and lightness of the architectural solution. So, it was decided, with the help of architectural lighting, to create an image of a building seemingly hovering above the ground, with its snow-white facade, bathed in golden rays, directed high above the dark ground.
The tent-type temple has a strict centrality of the plan, elongated vertical proportions and clear symmetry: from whichever of the four sides a person approaches, it will look the same to everyone (except for some elements of decoration). This idea of equality and accessibility for all people, from wherever they go to the temple and to God, carries a special symbolism. The first thing that meets a person on the way to the temple is the stairs and porch. For this reason, functional and dim lighting was provided for the entrance group to allow safe access to the gulch level.
The stylobate part itself (basement) decorated with gray slabs, was decided not to highlight with lighting. At dusk, this part appears even darker in contrast to the upper, illuminated tiers of white, and it seems as if the building is raised above the ground. This technique makes the building “sublime” above everything mundane, but at the same time maintains the connection between earth and sky through the lighting of the entrance area.
The tier of the walkway is surrounded by a mosaic panel (altar part). A unique “gallery” dedicated to the thousand-year history of Christianity in Russia is visible both from the adjacent territory of the temple and is available for immediate consideration from the walkway. The mosaic panels are recessed into the arcature belt and each of them is illuminated by linear luminaries built into the floor. In the dark, it seems as if the mosaic comes to life, shimmering with different shades and gold. Thanks to the optics of the lighting devices, the light highlights the plane of the mosaic panel and the edges of the archature frieze, slightly emphasizing the vertical of the tier with grazing light.
The main volumes of the building are formed by curtain walls with zakomars and kokoshniks. To illuminate these vertical planes, floodlights of different power were chosen, in accordance with the size of each tier. Thanks to the combination of illuminated planes and shadows, the building retains visual volume in the dark and does not seem flat. For the snow-white facade of the temple, were chosen luminaries with a neutral white color temperature 4000 K. They emphasize the white shade of the decoration best of all, as well as the reflective elements of the mosaic, the decorative design of the portals and the gold of the dome.
There is a round square with a walking area around the Church of Equal-to-the-Apostles Grand Duke Vladimir. In the evening, minimalist led lighting poles provide a required level of illumination for comfortable movement around the temple. There is a landscaped square with greenery and places for recreation for citizens between the temple and the cultural and exhibition center. Here, the main transit routes are also illuminated by luminaries on poles with warm white light, while in the center of this park area, where the benches are located, there are no lighting fixtures, leaving vacationers in a more intimate, secluded atmosphere.
Architect: СПИЧ / SPEECH
Lighting design: QPRO
Photo: Marika Volkova
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