The C-Glass House is a 2,100-SF retreat in northern California. Set on a spectacular but periodically wind-swept site, the C-Glass House opens to a panoramic view of Tomales Bay and the open ocean, while bracing against winds that approach 100mph from multiple directions. The initial Marin Green Home rating on this project exceeds their Platinum level.
The design engages not only Philip Johnson's Glass House and the Farnsworth House by Mies van der Rohe (the client helped translate texts for Mies' 1972 retrospective at MoMA), but also the California legacies of Elwood, Koenig and others. In contrast to earlier 'vitrines in a garden,' west coast glass houses bias towards the environment, employing tactics of framing, cantilever and directional enclosure to heighten, as well as quantify, the beauty of their surroundings. C-Glass House brokers between the Leica-like precision of high modern glass houses and the cinematic wireframe of the Case Study generation.
Though its architectural lineage is self-evident, this glass house is as indebted to artists' explorations of glazed enclosures as it is to the precedents of Johnson and Mies. Larry Bell's elevated cubes and Dan Graham's many pavilions capitalize more on the reflective and refractive ambiguities of the medium than its transparency, as do mirrored works by Gerhard Richter and the aquarium-like cages of Damien Hirst. The C-Glass House bridged between these ambitions in a new way, opening up to a panoramic vista but also modulating and reflecting back on architecture's evolving role in the American landscape.