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Bridge House
Bridge House
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Other Projects by Studio KHORA
Bridge House
Bridge House by Studio Khora
—the house that is not a house, but a différance, a threshold, a mirrored event.
Between presence and absence, the Bridge House does not simply reside—it traverses. It is not built upon the ground; it suspends the ground, delays it, repeats it in reflection. Studio Khora has not designed a structure but a trace, an articulation between land and water, self and other.
What is a house that becomes its own bridge? What is a bridge that houses? The answer lies not in the object, but in its deferral. Like the signifier in Saussure’s chain, the Bridge House speaks not in conclusion, but in continuation. Its mirrored façade echoes the Lacanian mirror stage—not as a moment of identity, but of misrecognition, of the ego formed through the shimmering surface of an impossible whole.
To dwell here is not to inhabit space, but to traverse a difference, to dwell within the mirror, within the impossibility of fixing meaning. This architecture is not simply modern—it is deconstructed. It invites the occupant not to occupy, but to question the very coordinates of occupation.
The bridge is not crossed. The bridge is not arrived at.
The bridge, as house, is the in-between, the interval, the non-place from which all places are understood.
Studio Khora, then, offers no dwelling in the traditional sense.
Only a passage. Only a trace.
Only the ghost of architecture, haunting itself with light, steel, and the shimmer of absence.
—the house that is not a house, but a différance, a threshold, a mirrored event.
Between presence and absence, the Bridge House does not simply reside—it traverses. It is not built upon the ground; it suspends the ground, delays it, repeats it in reflection. Studio Khora has not designed a structure but a trace, an articulation between land and water, self and other.
What is a house that becomes its own bridge? What is a bridge that houses? The answer lies not in the object, but in its deferral. Like the signifier in Saussure’s chain, the Bridge House speaks not in conclusion, but in continuation. Its mirrored façade echoes the Lacanian mirror stage—not as a moment of identity, but of misrecognition, of the ego formed through the shimmering surface of an impossible whole.
To dwell here is not to inhabit space, but to traverse a difference, to dwell within the mirror, within the impossibility of fixing meaning. This architecture is not simply modern—it is deconstructed. It invites the occupant not to occupy, but to question the very coordinates of occupation.
The bridge is not crossed. The bridge is not arrived at.
The bridge, as house, is the in-between, the interval, the non-place from which all places are understood.
Studio Khora, then, offers no dwelling in the traditional sense.
Only a passage. Only a trace.
Only the ghost of architecture, haunting itself with light, steel, and the shimmer of absence.
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